The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony TrollopePrewitt, Taylor
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The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony Trollope
Prewitt, Taylor
Trollope, Anthony, 1815-1882 -- Criticism and interpretation
Gifted children are a blessing to society, but they can pose their
little challenges along the way. Such a gifted child is Ayala Dormer.
Quick and witty, and pretty when she smiles, Ayala receives offers of
marriage in rather quick succession from a number of men, eligible
and ineligible, and she refuses them all, more than once, for a
reason she cannot disclose: she is waiting for the appearance of the
Angel of Light, the perfect knight: "How could she make her aunt
understand that there could be no place in her heart for Tom Tringle
seeing that it was to be kept in reserve for some angel of light who
would surely make his appearance in due season,--but who must still
be there, present to her as her angel of light, even should he never
show himself in the flesh."
In her adherence to this belief she shows herself to be one of
Trollope's Constant Heroines, though surely an outlier among the
lot. Others remained constant to better men, some being rewarded in
this life, some not. But Ayala's adherence is to her own ideal, thus
causing a great deal of trouble to those around her, and, I fear, to
a number of readers.
This sometimes tedious story is made palatable by Ayala herself, who
is as capable of charming the reader as she is of winning the love
and loyalty of many of those around her. Her sister's lover Isadore
Hamel captures with a vivid simile her bursts of energy, recalling
to the reader of Tolstoy the similar sudden rays of sunshine that
charmed those who knew Natasha, the heroine of _War and Peace_:
"I remember her almost as a child, when she would remain perfectly
still for a quarter of an hour, and then would be up and about the
house everywhere, glancing about like a ray of the sun reflected
from a mirror as you move it in your hand."
Ayala and her sister Lucy have been left as senior orphans (a young
Victorian woman could not live alone or move about in society
unaccompanied) who are taken in by their late mother's brother and
sister: one sister to each. Although this becomes a bit complicated
when Ayala becomes unsuitable to the aunt who has chosen her and the
girls change places, Ayala wins the love of the uncle in each of
the two households. In doing so she presents a bit of a problem to
each of the aunts--to one because she is a bit poky in assuming the
household duties required of a woman in an impecunious household,
and to the other because she outshines her aunt's own two daughters.
Public-domain text, read in full here on John Shaqi.
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