"Things are changed," said Paul hoarsely. He had come thither at her bidding because he had felt that to remain away would be cowardly, but the meeting was inexpressibly painful to him. He did think that he had sufficient excuse for breaking his troth to this woman, but the justification of his conduct was founded on reasons which he hardly knew how to plead to her. He had heard that of her past life which, had he heard it before, would have saved him from his present difficulty. But he had loved her,--did love her in a certain fashion; and her offences, such as they were, did not debar her from his sympathies. "How are they changed? I am two years older, if you mean that." As she said this she looked round at the glass, as though to see whether she was become so haggard with age as to be unfit to become this man's wife. She was very lovely, with a kind of beauty which we seldom see now. In these days men regard the form and outward lines of a woman's face and figure more than either the colour or the expression, and women fit themselves to men's eyes. With padding and false hair without limit a figure may be constructed of almost any dimensions. The sculptors who construct them, male and female, hairdressers and milliners, are very skilful, and figures are constructed of noble dimensions, sometimes with voluptuous expansion, sometimes with classic reticence, sometimes with dishevelled negligence which becomes very dishevelled indeed when long out of the sculptors' hands. Colours indeed are added, but not the colours which we used to love. The taste for flesh and blood has for the day given place to an appetite for horsehair and pearl powder. But Mrs. Hurtle was not a beauty after the present fashion. She was very dark,--a dark brunette,--with large round blue eyes, that could indeed be soft, but could also be very severe. Her silken hair, almost black, hung in a thousand curls all round her head and neck. Her cheeks and lips and neck were full, and the blood would come and go, giving a varying expression to her face with almost every word she spoke. Her nose also was full, and had something of the pug. But nevertheless it was a nose which any man who loved her would swear to be perfect. Her mouth was large, and she rarely showed her teeth. Her chin was full, marked by a large dimple, and as it ran down to her neck was beginning to form a second. Her bust was full and beautifully shaped; but she invariably dressed as though she were oblivious, or at any rate neglectful, of her own charms. Her dress, as Montague had seen her, was always black,--not a sad weeping widow's garment, but silk or woollen or cotton as the case might be, always new, always nice, always well-fitting, and most especially always simple. She was certainly a most beautiful woman, and she knew it. She looked as though she knew it,--but only after that fashion in which a woman ought to know it. Of her age she had never spoken to Montague. She