Capitalists and financiers -- Fiction; Commercial crimes -- Fiction; London (England) -- Fiction; Mate selection -- Fiction; Satire
Then Henrietta went to bed, and Lady Carbury absolutely sat up the
whole night waiting for her son, in order that she might hear his
tidings. She went up to her room, disembarrassed herself of her
finery, and wrapped herself in a white dressing-gown. As she sat
opposite to her glass, relieving her head from its garniture of false
hair, she acknowledged to herself that age was coming on her. She
could hide the unwelcome approach by art,--hide it more completely
than can most women of her age; but, there it was, stealing on her
with short grey hairs over her ears and around her temples, with
little wrinkles round her eyes easily concealed by unobjectionable
cosmetics, and a look of weariness round the mouth which could only
be removed by that self-assertion of herself which practice had
made always possible to her in company, though it now so frequently
deserted her when she was alone.
But she was not a woman to be unhappy because she was growing
old. Her happiness, like that of most of us, was ever in the
future,--never reached but always coming. She, however, had not
looked for happiness to love and loveliness, and need not therefore
be disappointed on that score. She had never really determined what
it was that might make her happy,--having some hazy aspiration after
social distinction and literary fame, in which was ever commingled
solicitude respecting money. But at the present moment her great
fears and her great hopes were centred on her son. She would not
care how grey might be her hair, or how savage might be Mr. Alf, if
her Felix were to marry this heiress. On the other hand, nothing
that pearl-powder or the "Morning Breakfast Table" could do would
avail anything, unless he could be extricated from the ruin that
now surrounded him. So she went down into the dining-room, that she
might be sure to hear the key in the door, even should she sleep, and
waited for him with a volume of French memoirs in her hand.
Public-domain text, read in full here on John Shaqi.
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