The clash of steel always roused the blood in him; he felt actively
stronger for combat. He was competently apportioning toward Lewiston’s
note the different sums coming in this month. There were large bills to
be paid to the typometer’s credit by several firms, one of them
Coneways’. Coneways represented the largest counted-in asset for the
entire year—it was the backbone of the establishment. If it went to
Lewiston, what would be left for the business? That could come next,
Lewiston was first. Leverich and Martin would exact every penny of their
principal after these intervening six months of the year were over.
Well, let them! Lewiston’s note was what he had to think of now.
All business undertakings, no matter how wild, how precarious to the
sense of the beholder, are started with confidence in their ultimate
success; it is the one trite, universal reason for starting—that faith
is the capital that all possess in common. Some of these doubtful
ventures, while never really succeeding, do not fail at once; they are
always hard up, but they keep on, though gradually sinking lower all the
time. Others seem to exist by the continuance of that first faith
alone—a sheer optimism that keeps the courage alive and keen enough to
seize hold of the slightest driftwood of opportunity, binding this
flotsam into a raft that takes them triumphantly out on the high tide.
For all the long drag, the anxiety, the physical strain, the harassment,
failure in itself seemed as inherently impossible to Justin as that he
should be stricken blind or lose the use of his limbs. He must think
harder to find a way of accomplishment, that was all.
His step had its own peculiar ring in it as he left Leverich’s, but it
lost somewhat of its alertness as he turned down the street that led to
the factory, unaltered, since his first coming to it, save for the
transformation of the neglected house he had noticed then, with its
grewsome interior, which had been turned into a freshly painted shop
long ago. The effect of association is inexorable. There was not a
corner, not a building, along that too familiar way, that was not hung
with some thought of care; there were moments of such strong repulsion
that he felt as if he couldn’t turn down that street again—moments
lately when to enter the factory with its red-brick-arched yawning mouth
of a doorway occasioned a physical nausea—a foolish, womanish state
which irritated him.
Public-domain text, read in full here on John Shaqi.
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