When the Spanish authorities allowed an American ship (surprised in one
of her ports by the declaration of war) to depart unharmed, the fact was
magnified into an act of almost ideal generosity; on the other hand, when
we decided not to permit privateering, that announcement was received
with derisive laughter as a pretentious pose to cover hidden interests.
There is reason to believe, however, that this feeling in favor of Spain
goes little further than the press and the aristocratic circles so dear
to the American “climber”; the real heart of the French nation is as true
to us as when a century ago she spent blood and treasure in our cause.
It is the inconstant capital alone that, false to her rôle of liberator,
has sided with the tyrant.
Yet when I wander through her shady parks or lean over her monumental
quays, drinking in the beauty of the first spring days, intoxicated by
the perfume of the flowers that the night showers have kissed into bloom;
or linger of an evening over my coffee, with the brilliant life of the
boulevards passing like a carnival procession before my eyes; when I sit
in her theatres, enthralled by the genius of her actors and playwrights,
or stand bewildered before the ten thousand paintings and statues of the
Salon, I feel inclined, like a betrayed lover, to pardon my faithless
mistress: she is too lovely to remain long angry with her. You realize
she is false and will betray you again, laughing at you, insulting your
weakness; but when she smiles all faults are forgotten; the ardor of her
kisses blinds you to her inconstancy; she pours out a draught that no
other hands can brew, and clasps you in arms so fair that life outside
those fragile barriers seems stale and unprofitable.
CHAPTER 32—A Nation in a Hurry
In early days of steam navigation on the Mississippi, the river captains,
it is said, had the playful habit, when pressed for time or enjoying a
“spurt” with a rival, of running their engines with a darky seated on the
safety-valve.
One’s first home impression after a season of lazy Continental travelling
and visiting in somnolent English country houses, is that an emblematical
Ethiopian should be quartered on our national arms.
Zola tells us in _Nouvelle Campagne_ that his vivid impressions are all
received during the first twenty-four hours in a new surrounding,—the
mind, like a photographic film, quickly losing its sensibility.
This fleeting receptiveness makes returning Americans painfully conscious
of nerves in the home atmosphere, and the headlong pace at which our
compatriots are living.
The habit of laying such faults to the climate is but a poor excuse. Our
grandparents and their parents lived peaceful lives beneath these same
skies, undisturbed by the morbid influences that are supposed to key us
to such a painful concert pitch.
Public-domain text, read in full here on John Shaqi.
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