We deplore the prevailing habit of “slouch”; yet if you think of it, this
universal hurry is the cause of it. Our cities are left unsightly,
because we cannot spare time to beautify them. Nervous diseases are
distressingly prevalent; still we hurry! hurry!! hurry!!! until, as a
diplomatist recently remarked to me, the whole nation seemed to him to be
but five minutes ahead of an apoplectic fit.
The curious part of the matter is that after several weeks at home, much
that was strange at first becomes quite natural to the traveller, who
finds himself thinking with pity of benighted foreigners and their
humdrum ways, and would resent any attempts at reform.
What, for instance, would replace for enterprising souls the joy of
taking their matutinal car at a flying leap, or the rapture of being
first out of a theatre? What does part of a last act or the “star song”
matter in comparison with five minutes of valuable time to the good?
Like the river captains, we propose to run under full head of steam and
get there, or b--- explode!
CHAPTER 33—The Spirit of History
Buildings become tombs when the race that constructed them has
disappeared. Libraries and manuscripts are catacombs where most of us
might wander in the dark forever, finding no issue. To know dead
generations and their environments through these channels, to feel a love
so strong that it calls the past forth from its winding-sheet, and gives
it life again, as Christ did Lazarus, is the privilege only of great
historians.
France is honoring the memory of such a man at this moment; one who for
forty years sought the vital spark of his country’s existence, striving
to resuscitate what he called “the great soul of history,” as it
developed through successive acts of the vast drama. This employment of
his genius is Michelet’s title to fame.
In a sombre structure, the tall windows of which look across the
Luxembourg trees to the Pantheon, where her husband’s bust has recently
been placed, a widow preserves with religious care the souvenirs of this
great historian. Nothing that can recall either his life or his labor is
changed.
Public-domain text, read in full here on John Shaqi.
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