If any one doubts the fleeting nature of a reputation, let him go to a
sale of modern pictures and note the prices brought by the favorites of
twenty years ago. The paintings of that arch-priest, Meissonier, no
longer command the sums that eager collectors paid for them a score of
years back. When a great European critic dares assert, as one has
recently, of the master’s “1815,” that “everything in the picture appears
metallic, except the cannon and the men’s helmets,” the mighty are indeed
fallen! It is much the same thing with the old masters. There have been
fashions in them as in other forms of art. Fifty years ago Rembrandt’s
work brought but small prices, and until Henri Rochefort (during his
exile) began to write up the English school, Romneys, Lawrences, and
Gainsboroughs had little market value.
The result is that most of us are as far away from the solution of that
vexed question “What is Art?” at forty as we were when boys. The
majority have arranged a compromise with their consciences. We have
found out what we like (in itself no mean achievement), and beyond such
personal preference, are shy of asserting (as we were fond of doing
formerly) that such and such works are “Art,” and such others, while
pleasing and popular, lack the requisite qualities.
To enquiring minds, sure that an answer to this question exists, but
uncertain where to look for it, the fact that one of the thinkers of the
century has, in a recent “Evangel,” given to the world a definition of
“Art,” the result of many years’ meditation, will be received with joy.
“Art,” says Tolstoi, “is simply a condition of life. It is any form of
expression that a human being employs to communicate an emotion he has
experienced to a fellow-mortal.”
An author who, in telling his hopes and sorrows, amuses or saddens a
reader, has in just so much produced a work of art. A lover who, by the
sincerity of his accent, communicates the flame that is consuming him to
the object of his adoration; the shopkeeper who inspires a purchaser with
his own admiration for an object on sale; the baby that makes its joy
known to a parent—artists! artists! Brown, Jones, or Robinson, the
moment he has consciously produced on a neighbor’s ear or eye the
sensation that a sound or a combination of colors has effected on his own
organs, is an artist!
Public-domain text, read in full here on John Shaqi.
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