Love of the fine arts is felt in their conversation, in the arrangement
and decoration of their homes, and in the interest that an exhibition of
pictures or old furniture will excite. Few of these people but are
_habitués_ of the Hôtel Drouot and conversant with the value and
authenticity of the works of art daily sold there. Such elements combine
to form an atmosphere that does not exist in any other country, and lends
an interest to society in France which it is far from possessing
elsewhere.
There is but one way that an outsider can enter this Gallic paradise. By
marrying into it! Two of the seven ladies in question lack the
quarterings of the rest. Miss Mitchell was only a charming American
girl, and the mother of the Princesse Radziwill was Mlle. Blanc of Monte
Carlo. However, as in most religions there are ceremonies that purify,
so in this case the sacrament of marriage is supposed to have
reconstructed these wives and made them genealogically whole.
There is something incongruous to most people in the idea of a young girl
hardly out of the schoolroom bearing a ponderous title. The pomp and
circumstance that surround historic names connect them (through our
reading) with stately matrons playing the “heavy female” roles in life’s
drama, much as Lady Macbeth’s name evokes the idea of a raw-boned
mother-in-law sort of person, the reverse of attractive, and quite the
last woman in the world to egg her husband on to a crime—unless it were
wife murder!
Names like de Chevreuse, or de la Rochefoucauld, seem appropriate only to
the warlike amazons of the Fronde, or corpulent kill-joys in powder and
court trains of the Mme. Etiquette school; it comes as a shock, on being
presented to a group of girlish figures in the latest cut of golfing
skirts, who are chattering odds on the Grand Prix in faultless English,
to realize that these light-hearted _gamines_ are the present owners of
sonorous titles. One shudders to think what would have been the effect
on poor Marie Antoinette’s priggish mentor could she have foreseen her
granddaughter, clad in knickerbockers, running a petroleum tricycle in
the streets of Paris, or pedalling “tandem” across country behind some
young cavalry officer of her connection.
Public-domain text, read in full here on John Shaqi.
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