It was not late, next morning, when Marie Moulin, attended by John
Wilmeter, presented herself to Mrs. Gott, as an applicant for admission
to the gallery of Mary Monson. The young man did not show himself, on
this occasion; though he was near enough to hear the grating of the
hinges when the prison-door opened.
“C’est bien vous donc, Marie!” said the prisoner, in a quick but pleased
salutation.
“Mademoiselle!” exclaimed the Swiss. The kisses of women succeeded. The
door closed, and John Wilmeter learned no more, on that occasion.
[Illustration]
CHAPTER VIII.
“And can you by no drift of conference
Get from him, why he puts on this confusion—”
_Hamlet._
There is something imaginative, if not very picturesque, in the manner
in which the lawyers of Manhattan occupy the buildings of Nassau street,
a thoroughfare which connects Wall street with the Tombs. There they
throng, resembling the remains of so many monuments along the Appian
way, with a “_siste viator_” of their own, to arrest the footsteps of
the wayfarer. We must now transfer the scene to a building in this
street, which stands about half-way between Maiden Lane and John Street,
having its front plastered over with little tin signs, like a debtor
marked by writs, or what are now called “complaints.” Among these signs,
which afforded some such pleasant reading as an almanac, was one that
bore this simple and reasonably intelligent inscription:
“Thomas Dunscomb, 2d floor, in front.”
It is somewhat singular that terms as simple as those of first floor,
second floor, &c., should not signify the same things in the language of
the mother country, and that of this land of progress and liberty.
Certain it is, nevertheless, that in American parlance, more especially
in that of Manhattan, a first floor is never up one pair of stairs, as
in London, unless indeed the flight is that by which the wearied
foot-passenger climbs the high stoop to gain an entrance into the
building. In other words, an English first floor corresponds with an
American second; and, taking that as the point of departure, the same
difference exists throughout. Tom Dunscomb’s office (or offices would be
the better term) occupied quite half of the second story of a large
double house, that had once been the habitation of some private family
of note, but which had long been abandoned to the occupation of these
ministers of the law. Into those offices it has now become our duty to
accompany one who seemed a little strange in that den of the profession,
at the very moment he was perfectly at home.
“Lawyer Dunscomb in?” demanded this person, who had a decided rustic
mien, though his dress had a sort of legal dye on it, speaking to one of
the five or six clerks who raised their heads on the stranger’s
entrance.
Public-domain text, read in full here on John Shaqi.
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