Such was the contrast between the two peoples. The sins of France were
in process of amendment. The corruptions of thought for which she was
responsible had this mitigating quality: that they were such as destroy
only those who practise them. And the true France, devoted to the
establishment of a régime of world-peace, held out hospitable hands to
every ideal of gracious import in science, religion and literature,
wherever it arose. The essential sin of Prussia, on the contrary,
was, that, worshipping only force, she planned the subjugation of all
Europe. The goal of domination at which she aimed could be reached only
through an ocean of blood. She willed war, she willed murder, and to
prepare her way she sought to impose on the world a picture in which
she appeared as a Knight of the Holy Ghost “in shining armour,” and
all the other non-Germanic nations as robber-empires, degenerates,
incompetents.
These words of introduction were necessary in view of the systematic
libelling of France which goes on in certain obscure papers, and which
proceeds, as all the world knows, chiefly from German organisations
in the United States. But the purpose of this article is not
controversial, but positive. It is concerned merely to give a random
glimpse of the heroism with which at this moment in the trenches,
the camps, and the hospitals the priests of France are serving the
tricolour of the transfigured Republic.
A literature on the subject is already in existence. The book of the
Abbé Klein, well known for his luminous study of the United States,
has been translated into English: for that reason, and also because
it is less rich in detail, I do not draw on it. The pictures of war
which follow are derived mainly from a collection of soldiers’ letters,
edited by Ernest Daudet, from _Les Soutanes sous la Mitraille_, by
the Abbé René Gaell, _prêtre-infirmier_, and from _Le Clergé, Les
Catholiques, et la Guerre_, by Gabriel Langlois, with a preface by Mgr.
Herscher, Archbishop of Laodicea.
Public-domain text, read in full here on John Shaqi.
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