You see how it is. I never was trained to think, and I get stunned by thoughts that strike me as being dug right out of the centre. Sometimes I’d like to write them down; but I can’t write; I can only talk as I’m talking to you. If you weren’t so high up, and so much cleverer than I am, and such a thinker, I’d like you to be my safety-ring, if you would. I could tell the key-thoughts to you when they came to me, before I forgot them with all their bearings; and by-and-by they’d do me a lot of good when I got away from this influence, and back into the machinery of the Western world again. If you could come out here, if you could feel what I feel here--and you would feel a thousand times as much--I don’t know what you wouldn’t do. It’s pretty wonderful. The nights with the stars so white and glittering, and so near that you’d think you could reach up and hand them down; the dark, deep, blue beyond; such a width of life all round you, a sort of never-ending space, that everything you ever saw or did seems little, and God so great in a kind of hovering sense like a pair of wings; and all the secrets of time coming out of it all, and sort of touching your face like a velvet wind. I expect you’ll think me sentimental, a first-class squash out of the pumpkin-garden; but it’s in the desert, and it gets into you and saturates you, till you feel that this is a kind of middle space between the world of cities, and factories, and railways, and tenement-houses, and the quiet world to come--a place where they think out things for the benefit of future generations, and convey them through incarnations, or through the desert. Say, your ladyship, I’m a chatterer, I’m a two-cent philosopher, I’m a baby; but you are too much like your grandmother, who was the daughter of a Quaker like David Pasha, to laugh at me. I’ve got a suit of fine chain-armour which I bought of an Arab down by Darfur. I’m wondering if it would be too cowardly to wear it in the scrap that’s coming. I don’t know, though, but what I’ll wear it, I get so scared. But it will be a frightful hot thing under my clothes, and it’s hot enough without that, so I’m not sure. It depends how much my teeth chatter when I see “the dawn of battle.” I’ve got one more thing before I stop. I’m going to send you a piece of poetry which the Saadat wrote, and tore in two, and threw away. He was working off his imagination, I guess, as you have to do out here. I collected it and copied it, and put in the punctuation--he didn’t bother about that. Perhaps he can’t punctuate. I don’t understand quite what the poetry means, but maybe you will. Anyway, you’ll see that it’s a real desert piece. Here it is: “THE DESERT ROAD