The Weavers: a tale of England and Egypt of fifty years ago - CompleteParker, Gilbert
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The Weavers: a tale of England and Egypt of fifty years ago - Complete
Parker, Gilbert
Society of Friends -- Fiction
Yet behind the one idea possessing her there was a subconscious self
taking note of all these sights and sounds, and bringing moisture to her
eyes. Passing the house which David had occupied on that night when
he and she and Nahoum and Mizraim had met, the mist of feeling almost
blinded her; for there at the gate sat the bowab who had admitted her
then, and with apathetic eyes had watched her go, in the hour when it
seemed that she and David Claridge had bidden farewell for ever, two
driftwood spars that touched and parted in the everlasting sea. Here
again in the Palace square were Kaid’s Nubians in their glittering
armour as of silver and gold, drawn up as she had seen them drawn then,
to be reviewed by their overlord.
She swept swiftly through the streets and bazaars on her mission to
Nahoum. “Lady Eglington” had asked for an interview, and Nahoum had
granted it without delay. He did not associate her with the girl for
whom David Claridge had killed Foorgat Pey, and he sent his own carriage
to bring her to the Palace. No time had been lost, for it was less than
twenty-four hours since she had arrived in Cairo, and very soon she
would know the worst or the best. She had put her past away for the
moment, and the Duchess of Snowdon had found at Marseilles a silent,
determined, yet gentle-tongued woman, who refused to look back, or to
discuss anything vital to herself and Eglington, until what she had
come to Egypt to do was accomplished. Nor would she speak of the future,
until the present had been fully declared and she knew the fate of David
Claridge. In Cairo there were only varying rumours: that he was still
holding out; that he was lost; that he had broken through; that he was a
prisoner--all without foundation upon which she could rely.
As she neared the Palace entrance, a female fortune-teller ran forward,
thrusting towards her a gazelle’s skin, filled with the instruments of
her mystic craft, and crying out: “I divine-I reveal! What is present
I manifest! What is absent I declare! What is future I show! Beautiful
one, hear me. It is all written. To thee is greatness, and thy heart’s
desire. Hear all! See! Wait for the revealing. Thou comest from afar,
but thy fortune is near. Hear and see. I divine--I reveal. Beautiful
one, what is future I show.”
Hylda’s eyes looked at the poor creature eagerly, pathetically. If it
could only be, if she could but see one step ahead! If the veil
could but be lifted! She dropped some silver into the folds of the
gazelle-skin and waved the Gipsy away. “There is darkness, it is all
dark, beautiful one,” cried the woman after her, “but it shall be light.
I show--I reveal!”
Inside these Palace walls there was a revealer of more merit, as she so
well and bitterly knew. He could raise the veil--a dark and dangerous
necromancer, with a flinty heart and a hand that had waited long to
strike. Had it struck its last blow?
Public-domain text, read in full here on John Shaqi.
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