Altona had one of those bloodless faces, faded for good and all, which have no age. He was very black-haired, with moustaches and an imperial cut in a fashion to give him the aspect of one of the portraits he dealt in. His brown, velvety eyes, which were like two spots on his pale face, betrayed his Oriental origin, as did the strange mixture of servility and arrogance displayed by his whole person. A little too well-dressed, with too much jewelry, too faultlessly correct, one realized nevertheless that one last touch of "side"--we use the language of the sharpers in his employ--would make of him a passably successful make-believe _grand seigneur_. Métivier, on the contrary, that highly esteemed notary, well-to-do and well established, but dull and heavy, and made apoplectic at fifty-five by his sedentary profession and by over-indulgence in eating and smoking, would never be anything more than a vulgar French bourgeois. Through the chance that brought them together, in the presence of the heir of a very great name on the eve of disappearing forever, the four walls of that green-box-lined office contained a striking abstract of contemporary history. Maxwell Altona--although born in Germany he bore that English baptismal name--seemed in no wise embarrassed to find himself in the presence of a son of the debtor he had plotted to rob, and when Métivier had named them to each other, he said calmly, with his shrewdest glance and his most engaging smile:-- "I am the more pleased to have the honor of being presented to you, Monsieur le Comte, because I followed your trial with the deepest interest and greatly admired your action at Hugueville. You have taken your leave."--Here the foreigner betrayed himself, by that little Germanism; no one is perfect.--"You are proposing, no doubt, to devote yourself to your fine château. I am well acquainted with its marvels."--At this point, one of the indescribably ironical expressions that play over the mysterious features of these international tradesmen.--"Allow me to suggest to you an opportunity that is perhaps unique. You have but one of the two Gobelins of the Turkish Embassy. It is the entry of Mehemet Effendi into Paris, in 1721, with the mission of congratulating the King on his accession," he added, addressing Métivier. Then, turning again to the possible purchaser, "I know where the other is." "Isn't he amazing?" the notary asked Landri as he showed him out. "One affair has failed. He goes about another at once. He was going to strip you. He sells to you. Faith, I advise you to look at the tapestry. I am sure it's genuine. That's his probity, the pirate! He doesn't cheat about his wares. And Cauvet won't have a commission, I promise you."