"Humph!" remarked the Baronet gravely. "Expelled from the Sacrament,
was he? I don't like that, you know: it looks bad. I wish I had known
this before I asked him to spend his Christmas here. Of course, for
aught we know to the contrary, he may only have been guilty of some
little trifle which we men of the world"--he swept his arm towards
me as he spoke, and I felt quite proud of the title conferred on
me--"think nothing of; but still it looks suspicious. A shade rests on
his character, and till it be cleared off I would prefer him at any
other table than mine. I ought to be certain that he is a person of
fair repute--that is a duty I owe my guests; but I don't see what I can
do now that matters have gone so far. I cannot, in the circumstances,
ask him point-blank to produce a certificate of good character, so I
must display the hospitality of the Orientals, and entertain the guest
without inquiring too closely into his character."
"'For thereby,'" quoted my uncle, "'some have entertained angels
unawares.'"
"You are not very likely to do that," I said to the Baronet, "and--"
The sound of carriage-wheels rattling over the gravel-path beneath the
library windows checked the rest of my remark.
"That must be Angelo," said the Baronet, referring to his watch.
"Talk of Lucifer," said I, rising, "and he rustles his wings. With
your leave, Sir Hugh, I'll retire for the night. I've no wish to see
Angelo till the morning." And with these words I departed, leaving the
representative of the Wyvilles and the head of the house of Leslie to
welcome, perhaps it would be more correct to write receive, the late
comer.
The bedroom allotted to me was, like those of the other guests, in the
eastern wing of the Abbey, the western wing being appropriated to the
servants' quarters. The front and central portions of the building
contained the principal apartments; and the picture-gallery was at the
rear on the ground-floor, connecting the two wings.
My room was a large old-fashioned chamber, whose oaken panels were
draped with figured tapestry. An oriel casement with lancet-shaped
panes of stained-glass gave me a fine view of the moonlit park, with
the Nuns' Tower--Angelo's studio--rising grey and solitary above a dark
clump of cedars.
There was a fire in the grate and its dancing caused strange shadows to
quiver upon the walls and ceiling, seeming to invest the grim figures
on the tapestry with life and motion--an illusion heightened by their
rustling with the draught from the open door.
Public-domain text, read in full here on John Shaqi.
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