"I did. Perfumes for handkerchiefs, I suppose."
"Perfumes for handkerchiefs--Oh?" replied the doctor in a curious tone
of voice, and sniffing as if the odour still remained in his nostrils.
"Hum! I shouldn't advise the young lady to sprinkle her handkerchief
too freely with that sort of essence, unless she wishes to be a member
of 'kingdom come!'"
CHAPTER XII
THE FIGURE IN THE GREY CLOAK
On descending next morning to the drawing-room, I found Angelo there
before me, the idol of a crowd of æsthetic young ladies who adored art
(and especially the artist) without understanding much about either. He
was exhibiting to their admiring gaze the contents of his portfolio and
unless my eyesight deceived me, it was the identical portfolio he had
displayed to me on that memorable wedding morning.
It had been my intention to question the artist on that singular
utterance of his when he first parted from Daphne: "You are nearer to
him now than you have been for months;" but as I saw that he purposely
ignored me, I imitated his example, and ignored him.
I was curious to see how he would receive Daphne on this
occasion--their first meeting after her refusal of him; but he
manifested no signs of embarrassment when she appeared, and
acknowledged her presence with an air so grave and stately that none,
seeing him, would ever have guessed that he had at one time made
passionate love to her.
Daphne was confused and blushed a little, and was not sorry, I think,
when, at the sound of the breakfast-bell, I relieved her of his
presence by escorting her to the table, taking care to put as many
feet of mahogany as I could between her and the artist, who had for
his partner the lively Florrie.
During breakfast the conversation turned on the mysterious apparition
of the preceding night, and Daphne was twitted by the ladies for her
fright; but the Baronet, noticing how agitated she became and how
distasteful the subject was to her, came to her aid, and, declaring
that he would not allow her to be teased, diverted the conversation to
another channel.
"When do you expect to finish your picture?" he said, turning to Angelo.
"Within a few days: perhaps a few hours."
Perhaps a few hours! Such an answer implied that it was within the
range of probability for the completion of his picture to take place
on Christmas Day--that is, on the very anniversary of the day on which
he had finished his last masterpiece. This coincidence of dates was
certainly remarkable, and my uncle could not help reverting to it.
"Christmas is a favorite time with you," he remarked. "Your last great
work, if I remember rightly, received its final touch on Christmas Day."
Public-domain text, read in full here on John Shaqi.
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