I found the news particularly agreeable. Sir Hugh could now procure the
warrant without Angelo's having any idea of what was in store for him,
and I should have ample time to study the weird picture and to examine
the interior of the Nuns' Tower, two occupations in which I resolved to
have no companion. A vague feeling of peril gave a charm to the idea.
I did not know what form the peril might take, but determined to be
prepared for it in any shape, I took the liberty of borrowing a brace
of loaded pistols which Sir Hugh kept in a drawer of his writing-table.
"One for the ghost in the gallery," I said cheerfully to myself as I
slipped it into my hip pocket, "and one for the artist in the studio,"
and I slipped the second into the other hip pocket. "And now for the
masterpiece."
CHAPTER XIV
THE MYSTERIES OF THE STUDIO
Taking up a lighted candle and the keys both of the tower and of the
picture gallery, I directed my steps towards the latter place. It was
situated at some distance from the library, and, the house being new to
me, I had some difficulty in finding it.
In the distance the sound of jovial carols told me that in the
servants' quarters due homage was being paid to the spirit of the
season. Floating faintly along the corridors came the snatches of a
refrain--
"Come, bring with a noise,
My merry, merry boys,
The Christmas log to the firing;
While my old dame she
Bids you all be free,
And drink to your hearts' desiring."
I hummed over a few bars myself as I made my way along.
At last, after losing my way several times, I stood in front of the
thick oaken door that I knew to be the entrance of the picture-gallery.
Half-a-dozen keys inserted into the lock one after another failed to
open the door. The seventh caused the steel tongue to spring back with
a sharp click. I was on the point of turning the handle when a sound
on the other side arrested my act. A moment's reflection induced me
to believe that it was merely the night breeze sighing through the
elms and yews outside, but in my first start I had likened it to human
footsteps stealing softly away from the door. So strongly had I been
impressed with this fancy that I had at once turned the key in the lock
again, so as to keep two inches of solid oak, at least, between me and
the something on the other side.
Public-domain text, read in full here on John Shaqi.
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