It was evident that the Italian was in deadly earnest, and that his
whole soul was absorbed by one passion--devotion to his art. In the
interests of that fetish, crime even was excusable. This is the age of
realism--of a realism that too often dispenses with morality. Angelo's
æsthetics of death was but the logical outcome of the realistic school.
The artist had imparted the necessary edge to his weapon, and reclined
once more in an easy attitude, fingering the blade with a delicate
touch, and surveying my form with a critical eye.
"I cannot say that you are quite the _beau-ideal_ for an artist.
A little more massiveness in your figure, a little more muscular
development of the limbs, would be more in accordance with the canons
of physical beauty. Still, these little imperfections can be rectified
on the canvas."
The mockery of this remark was not accompanied by any relaxation of his
features. He might have been wearing a stone mask, so little mobility
did his face display.
"Nor can I say that your present expression is precisely that which
a dying Christian ought to assume. There is an appreciable want
of resignation in it. Still, it is within the power of my pencil
to transfigure your face with the divine light of martyrdom, thus
conferring upon you an immortality on canvas--an eternity of fame which
assuredly you would never gain by the productions of your pen, though
literature, we know, be your _forte_."
This last was a mocking allusion to a boast of mine made at Rivoli.
A devilish motive prompting these remarks was obvious. He wanted to
apply torture to the mind before applying it to the body. He felt that
the captive was the true victor; for though he might slay me, yet the
deed would never make Daphne his. I longed to taunt him with this, and
to hurl back gibe for gibe. Prudence restrained me, however. A rash
retort might precipitate matters, and cause him to execute his deadly
work sooner than he intended; and delay was of value to me, for as the
human mind abandons hope only with the last breath, so did I cling to
the expectation that rescue might come in a shape I did not dream of.
Therefore I listened to the artist without saying a word.
Public-domain text, read in full here on John Shaqi.
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