For one second the artist stood irresolute, and then darting towards
the secret opening, he disappeared from view.
The cell seemed to swim around me, a mist passed before my eyes, and
then dimly as in a dream I became conscious that I was reclining in
an oaken chair, supported on one side by my uncle and on the other by
Daphne. The door of the tower was wide open, hanging obliquely on one
hinge. Someone was putting a lighted match to the wick in the antique
iron lamp, and its bright flame lit up a crowd of faces that were
bent upon me with wondering looks. At one end of the cell some men, a
helmeted police-officer among the number, were kneeling, fingering and
clawing at the stone slab which the artist had pulled down after him to
cover his retreat.
"It must be chained down," I heard the Baronet saying. "Pass the
crowbar. Damn it! the fellow will escape."
"His eyes are open," I heard Daphne saying. "Oh, Frank, you are not
hurt, are you?"
She was now kneeling beside me, her lovely eyes full of tenderness and
sympathy. It was worth all the agony I had endured to be the object of
her sweet pity. I tried to speak, but emotion checked my utterance, and
I could reply to her question only by an assuring smile.
"You are looking like the very dead," said the doctor. "Here, take a
drop of this. This will revive you."
"Is my hair grey?" I murmured, putting my hand to my head, as if it
were possible to ascertain by the sense of touch. "Do I look old? I
feel like a captive liberated from the Bastile. How long have I been in
this prison? Years upon years?"
In a few words I told my shuddering listeners of the artist's designs
on me. From regard to Daphne, I reserved the story of George's end for
another occasion.
"Ay, ay," remarked the doctor, gravely shaking his head. "I saw this
morning that he exhibited all the symptoms of insanity. Genius and
madness are often allied."
"Well, thank Heaven you are safe!" exclaimed my uncle fervently;
"though more by your own efforts than by ours," he added.
"Have you only just returned from the magistrate's?" I asked him.
There is a good deal of ingratitude in human nature, and even in the
first joy of my deliverance I felt a disposition to reproach my uncle
for what I considered a very tardy rescue, totally forgetful of the
fact that if my rescuers had appeared earlier on the scene there
would have been an end of me, for the artist at sight of them would
have effected his deadly purpose without my being able to offer any
resistance.
Public-domain text, read in full here on John Shaqi.
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