Lesbians -- England -- Social conditions -- Fiction
Or perhaps he would take quite another tack and complain that recently
he had been neglected. ‘Late for every damned meal—running round with
that girl—you don’t care what happens to me any more. A lot you care
about my indigestion! I’ve got to eat any old thing these days from
cow-hide to bricks. Well, you listen to me, that’s not what I pay for;
get that into your head! I pay for good meals to be served on time; _on
time_, do you hear? And I expect my wife to be in her rightful place at
my table to see that the omelette’s properly prepared. What’s the matter
with you that you can’t go along and make it yourself? When we were
first married you always made my omelettes yourself. I won’t eat yellow
froth with a few strings of parsley in it—it reminds me of the dog when
he’s sick, it’s disgusting! And I won’t go on talking about it either,
the next time it happens I’ll sack the cook. Damn it all, you were glad
enough of my help when I found you practically starving in New York—but
now you’re for ever racing off with that girl. It’s all this damned
animal’s fault that you met her!’ He would kick out sideways at the
terrified Tony, who had lately been made to stand proxy for Stephen.
But worst of all was it when Ralph started weeping, because, as he said,
his wife did not love him any more, and because, as he did not always
say, he felt ill with his painful, chronic dyspepsia. One day he must
make feeble love through his tears: ‘Angela, come here—put your arms
around me—come and sit on my knee the way you used to.’ His wet eyes
looked dejected yet rather greedy: ‘Put your arms around me, as though
you cared—’ He was always insistent when most ineffectual.
That night he appeared in his best silk pyjamas—the pink ones that made
his complexion look sallow. He climbed into bed with the sly expression
that Angela hated—it was so pornographic. ‘Well, old girl, don’t forget
that you’ve got a man about the house; you haven’t forgotten it, have
you?’ After which followed one or two flaccid embraces together with
much arrogant masculine bragging; and Angela, sighing as she lay and
endured, quite suddenly thought of Stephen.
2
Pacing restlessly up and down her bedroom, Stephen would be thinking of
Angela Crossby—haunted, tormented by Angela’s words that day in the
garden: ‘Could you marry me, Stephen?’ and then by those other pitiless
words: ‘Can I help it if you’re—what you obviously are?’
Public-domain text, read in full here on John Shaqi.
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