Lesbians -- England -- Social conditions -- Fiction
Stephen stood as though turned to stone for a moment, not so much as a
muscle twitched; then she handed the letter back to her mother without
speaking, and in silence Anna received it. ‘Stephen—when you know what
I’ve done, forgive me.’ The childish scrawl seemed suddenly on fire, it
seemed to scorch Stephen’s fingers as she touched it in her pocket—so
this was what Angela had done. In a blinding flash the girl saw it all;
the miserable weakness, the fear of betrayal, the terror of Ralph and of
what he would do should he learn of that guilty night with Roger. Oh,
but Angela might have spared her this, this last wound to her loyal and
faithful devotion; this last insult to all that was best and most sacred
in her love—Angela had feared betrayal at the hands of the creature who
loved her!
But now her mother was speaking again: ‘And this—read this and tell me
if you wrote it, or if that man’s lying.’ And Stephen must read her own
misery jibing at her from those pages in Ralph Crossby’s stiff and
clerical handwriting.
She looked up: ‘Yes, Mother, I wrote it.’
Then Anna began to speak very slowly as though nothing of what she would
say must be lost; and that slow, quiet voice was more dreadful than
anger: ‘All your life I’ve felt very strangely towards you;’ she was
saying, ‘I’ve felt a kind of physical repulsion, a desire not to touch
or to be touched by you—a terrible thing for a mother to feel—it has
often made me deeply unhappy. I’ve often felt that I was being unjust,
unnatural—but now I know that my instinct was right; it is you who are
unnatural, not I. . . .’
‘Mother—stop!’
‘It is you who are unnatural, not I. And this thing that you are is a
sin against creation. Above all is this thing a sin against the father
who bred you, the father whom you dare to resemble. You dare to look
like your father, and your face is a living insult to his memory,
Stephen. I shall never be able to look at you now without thinking of
the deadly insult of your face and your body to the memory of the father
who bred you. I can only thank God that your father died before he was
asked to endure this great shame. As for you, I would rather see you
dead at my feet than standing before me with this thing upon you—this
unspeakable outrage that you call love in that letter which you don’t
deny having written. In that letter you say things that may only be said
between man and woman, and coming from you they are vile and filthy
words of corruption—against nature, against God who created nature. My
gorge rises; you have made me feel physically sick—’
‘Mother—you don’t know what you’re saying—you’re my mother—’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account