Not looking at Puddle, she began to talk quickly: ‘There’s something I’ve been wanting to tell you, Puddle—it’s about my work, there’s something wrong with it. I mean that my work could be much more vital; I feel it, I know it, I’m holding it back in some way, there’s something I’m always missing. Even in _The Furrow_ I feel I missed something—I know it was fine, but it wasn’t complete because I’m not complete and I never shall be—can’t you understand? I’m not complete. . . .’ She paused unable to find the words she wanted, then blundered on again blindly: ‘There’s a great chunk of life that I’ve never known, and I want to know it, I ought to know it if I’m to become a really fine writer. There’s the greatest thing perhaps in the world, and I’ve missed it—that’s what’s so awful, Puddle, to know that it exists everywhere, all round me, to be constantly near it yet always held back—to feel that the poorest people in the streets, the most ignorant people, know more than I do. And I dare to take up my pen and write, knowing less than these poor men and women in the street! Why haven’t I got a right to it, Puddle? Can’t you understand that I’m strong and young, so that sometimes this thing that I’m missing torments me, so that I can’t concentrate on my work any more? Puddle, help me—you were young yourself once.’ ‘Yes, Stephen—a long time ago I was young. . . .’ ‘But can’t you remember back for my sake?’ And now her voice sounded almost angry in her distress: ‘It’s unfair, it’s unjust. Why should I live in this great isolation of spirit and body—why should I, why? Why have I been afflicted with a body that must never be indulged, that must always be repressed until it grows stronger much than my spirit because of this unnatural repression? What have I done to be so cursed? And now it’s attacking my holy of holies, my work—I shall never be a great writer because of my maimed and insufferable body—’ She fell silent, suddenly shy and ashamed, too much ashamed to go on speaking. And there sat Puddle as pale as death and as speechless, having no comfort to offer—no comfort, that is, that she dared to offer—while all her fine theories about making good for the sake of those others; being noble, courageous, patient, honourable, physically pure, enduring because it was right to endure, the terrible birthright of the invert—all Puddle’s fine theories lay strewn around her like the ruins of some false and flimsy temple, and she saw at that moment but one thing clearly—true genius in chains, in the chains of the flesh, a fine spirit subject to physical bondage. And as once before she had argued with God on behalf of this sorely afflicted creature, so now she inwardly cried yet again to the Maker whose will had created Stephen: ‘Thine hands have made me and fashioned me together round about; yet Thou dost destroy me.’ Then into her heart crept a bitterness very hard to endure: ‘Yet Thou dost destroy me—’