Lesbians -- England -- Social conditions -- Fiction
As they drove to her apartment on the Quai Voltaire, Brockett began to
extol their hostess, praising her wit, her literary talent. She wrote
delicate satires and charming sketches of Greek mœurs—the latter were
very outspoken, but then Valérie’s life was very outspoken—she was,
said Brockett, a kind of pioneer who would probably go down to history.
Most of her sketches were written in French, for among other things
Valérie was bilingual; she was also quite rich, an American uncle had
had the foresight to leave her his fortune; she was also quite young,
being just over thirty, and according to Brockett, good-looking. She
lived her life in great calmness of spirit, for nothing worried and few
things distressed her. She was firmly convinced that in this ugly age
one should strive to the top of one’s bent after beauty. But Stephen
might find her a bit of a free lance, she was libre penseuse when it
came to the heart; her love affairs would fill quite three volumes, even
after they had been expurgated. Great men had loved her, great writers
had written about her, one had died, it was said, because she refused
him, but Valérie was not attracted to men—yet as Stephen would see if
she went to her parties, she had many devoted friends among men. In this
respect she was almost unique, being what she was, for men did not
resent her. But then of course all intelligent people realized that she
was a creature apart, as would Stephen the moment she met her.
Brockett babbled away, and as he did so his voice took on the effeminate
timbre that Stephen always hated and dreaded: ‘Oh, my dear!’ he
exclaimed with a high little laugh, ‘I’m so excited about this meeting
of yours, I’ve a feeling it may be momentous. What fun!’ And his soft,
white hands grew restless, making their foolish gestures.
She looked at him coldly, wondering the while how she could tolerate
this young man—why indeed, she chose to endure him.
5
The first thing that struck Stephen about Valérie’s flat was its large
and rather splendid disorder. There was something blissfully unkempt
about it, as though its mistress were too much engrossed in other
affairs to control its behaviour. Nothing was quite where it ought to
have been, and much was where it ought not to have been, while over the
whole lay a faint layer of dust—even over the spacious salon. The odour
of somebody’s Oriental scent was mingling with the odour of tuberoses in
a sixteenth century chalice. On a divan, whose truly regal proportions
occupied the best part of a shadowy alcove, lay a box of Fuller’s
peppermint creams and a lute, but the strings of the lute were broken.
Public-domain text, read in full here on John Shaqi.
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