Lesbians -- England -- Social conditions -- Fiction
That spring, in the foyer of the Comédie Francaise, Stephen stumbled
across a link with the past in the person of a middle-aged woman. The
woman was stout and wore pince-nez; her sparse brown hair was already
greying; her face, which was long, had a double chin, and that face
seemed vaguely familiar to Stephen. Then suddenly Stephen’s two hands
were seized and held fast in those of the middle-aged woman, while a
voice grown loud with delight and emotion was saying:
‘Mais oui, c’est ma petite Stévenne!’
Back came a picture of the schoolroom at Morton, with a battered red
book on its ink-stained table—the Bibliothèque Rose—‘Les Petites
Filles Modèles,’ ‘Les Bons Enfants,’ and Mademoiselle Duphot.
Stephen said: ‘To think—after all these years!’
‘Ah, quelle joie! Quelle joie!’ babbled Mademoiselle Duphot.
And now Stephen was being embraced on both cheeks, then held at arm’s
length for a better inspection. ‘But how tall, how strong you are, ma
petite Stévenne. You remember what I say, that we meet in Paris? I say
when I go, “But you come to Paris when you grow up bigger, my poor
little baby!” I keep looking and looking, but I knowed you at once. I
say, “Oui certainement, that is ma petite Stévenne, no one ’ave such
another face what I love, it could only belong to Stévenne,” I say. And
now voilà! I am correct and I find you.’
Stephen released herself firmly but gently, replying in French to calm
Mademoiselle, whose linguistic struggles increased every moment.
‘I’m living in Paris altogether,’ she told her; ‘you must come and see
me—come to dinner to-morrow; 35, Rue Jacob.’ Then she introduced Puddle
who had been an amused spectator.
The two ex-guardians of Stephen’s young mind shook hands with each other
very politely, and they made such a strangely contrasted couple that
Stephen must smile to see them together. The one was so small, so quiet
and so English; the other so portly, so tearful, so French in her
generous, if somewhat embarrassing emotion.
As Mademoiselle regained her composure, Stephen was able to observe her
more closely, and she saw that her face was excessively childish—a fact
which she, when a child, had not noticed. It was more the face of a foal
than a horse—an innocent, new-born foal.
Mademoiselle said rather wistfully: ‘I will dine with much pleasure
to-morrow evening, but when will you come and see me in my home? It is
in the Avenue de la Grande Armée, a small apartment, very small but so
pretty—it is pleasant to have one’s treasures around one. The bon Dieu
has been very good to me, Stévenne, for my Aunt Clothilde left me a
little money when she died; it has proved a great consolation.’
‘I’ll come very soon,’ promised Stephen.
Public-domain text, read in full here on John Shaqi.
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