She got up. No good in trying to sleep, those eternal questions kept stifling, tormenting. Dressing quickly she stole down the wide, shallow stairs to the garden door, then out into the garden. The garden looked unfamiliar in the sunrise, like a well-known face that is suddenly transfigured. There was something aloof and awesome about it, as though it were lost in ecstatic devotion. She tried to tread softly for she felt apologetic, she and her troubles were there as intruders; their presence disturbed this strange hush of communion, this oneness with something beyond their knowledge, that was yet known and loved by the soul of the garden. A mysterious and wonderful thing this oneness, pregnant with comfort could she know its true meaning—she felt this somewhere deep down in herself, but try as she would her mind could not grasp it; perhaps even the garden was shutting her out of its prayers, because she had sent away Martin. Then a thrush began to sing in the cedar, and his song was full of wild jubilation: ‘Stephen, look at me, look at me!’ sang the thrush, ‘I’m happy, happy, it’s all very simple!’ There was something heartless about that singing which only served to remind her of Martin. She walked on disconsolate, thinking deeply. He had gone, he would soon be back in his forests—she had made no effort to keep him beside her because he had wanted to be her lover. . . . ‘Stephen, look at us, look at us!’ sang the birds, ‘We’re happy, happy, it’s all very simple!’ Martin walking in dim, green places—she could picture his life away in the forests, a man’s life, good with the goodness of danger, a primitive, strong, imperative thing—a man’s life, the life that should have been hers—And her eyes filled with heavy, regretful tears, yet she did not quite know for what she was weeping. She only knew that some great sense of loss, some great sense of incompleteness possessed her, and she let the tears trickle down her face, wiping them off one by one with her finger.