Lesbians -- England -- Social conditions -- Fiction
February came bringing snowstorms with it, the heaviest known for many a
year. The hills lay folded in swathes of whiteness, and so did the
valleys at the foot of the hills, and so did the spacious gardens of
Morton—it was all one vast panorama of whiteness. The lakes froze, and
the beech trees had crystalline branches, while their luminous carpet of
leaves grew brittle so that it crackled now underfoot, the only sound in
the frozen stillness of that place that was always infinitely still.
Peter, the arrogant swan, turned friendly, and he and his family now
welcomed Stephen who fed them every morning and evening, and they glad
enough to partake of her bounty. On the lawn Anna set out a tray for the
birds, with chopped suet, seed, and small mounds of breadcrumbs; and
down at the stables old Williams spread straw in wide rings for
exercising the horses who could not be taken beyond the yard, so bad
were the roads around Morton.
The gardens lay placidly under the snow, in no way perturbed or
disconcerted. Only one inmate of theirs felt anxious, and that was the
ancient and wide-boughed cedar, for the weight of the snow made an ache
in its branches—its branches were brittle like an old man’s bones; that
was why the cedar felt anxious. But it could not cry out or shake off
its torment; no, it could only endure with patience, hoping that Anna
would take note of its trouble, since she sat in its shade summer after
summer—since once long ago she had sat in its shade dreaming of the son
she would bear her husband. And one morning Anna did notice its plight,
and she called Sir Philip, who hurried from his study.
She said: ‘Look, Philip! I’m afraid for my cedar—it’s all weighted
down—I feel worried about it.’
Then Sir Philip sent in to Upton for chain, and for stout pads of felt
to support the branches; and he himself must direct the gardeners while
they climbed into the tree and pushed off the snow; and he himself must
see to the placing of the stout felt pads, lest the branches be galled.
Because he loved Anna who loved the cedar, he must stand underneath it
directing the gardeners.
A sudden and horrible sound of rending. ‘Sir, look out! Sir Philip, look
out, sir, it’s giving!’
A crash, and then silence—a horrible silence, far worse than that
horrible sound of rending.
‘Sir Philip—oh, Gawd, it’s over ’is chest! It’s crushed in ’is
chest—it’s the big branch wot’s given! Some one go for the doctor—go
quick for Doctor Evans. Oh, Gawd, ’is mouth’s bleedin’—it’s crushed in
’is chest—Won’t nobody go for the doctor?’
The grave, rather pompous voice of Mr. Hopkins: ‘Steady, Thomas, it’s no
good losin’ your head. Robert, you’d best slip over to the stables and
tell Burton to go in the car for the doctor. You, Thomas, give me a hand
with this bough—steady on—ease it off a bit to the right, now lift!
Steady on, keep more to the right—now then, gently, gently, man—lift!’
Public-domain text, read in full here on John Shaqi.
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