The Wellfields: A novel. Vol. 3 of 3Fothergill, Jessie
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The Wellfields: A novel. Vol. 3 of 3
Fothergill, Jessie
English fiction -- 19th century
Passing the rooms which had been set apart as nurseries, he heard a
child’s feeble cry, and started, shuddered, and hastened his steps
till he came to what had of late been Nita’s favourite room–a little
boudoir opening from her bedroom. There was a dimness, subdued and
faint. He stood on the threshold, looking round, and by degrees began
to distinguish things more clearly. They had not drawn up the blinds
here since Nita had last been in the room, the evening before she was
taken ill. Everything was as she had left it. There was the couch
on which she had spent so many weary hours, and the little table
beside it, on which lay one or two books, and her writing-case, and a
work-basket. Another book had fallen upon the floor, and something lay
beside it, in which Jerome, looking intently, recognised Nita’s great
dog, Speedwell, stretched upon the ground beside the couch, waiting,
no doubt, for her return, and watching the book which had fallen; it
was the book she had read in so much of late–her little ‘Imitation of
Christ.’
The old dog looked up, with a wistful expression, whined a little,
and waved his tail to and fro, as Jerome looked at him. With an
inarticulate sound, which ended in a heavy sob, the young man dropped
upon one end of the couch, covering his face with one hand, while the
other hung down, and the dog licked it, and sat up, and whined again,
asking where she was.
His anguish at this moment amounted to torture, as he realised how
completely everything had come to an end. Here, as he sat alone, with
his own miserable thoughts–here and in this moment his wages were paid
to him; measure for measure–no more and no less; wages which could
not be refused, could not be transferred, must be accepted and counted
over, and tasted to the bitter end.
Let the future hold what it might, this hour could never be wiped out.
In his then state of mind, he could not see any future at all; he could
see nothing but the past–could realise nothing except that he had
played a dishonest game, and had lost; and that at every turn in his
mental path he was confronted by an ‘if.’ ‘If I had done this!’ ‘If I
had told her that!’
He did not know how long he remained in Nita’s room, feeling the
tokens of her recent presence on every side like whips of fire, but
when he left the room and went out of the house, it was dusk, and he
mechanically took his way towards a field-path by the river, along
which one could wander for two or three miles uninterrupted by gate or
stile, or barrier of any description. It was lonely and beautiful; it
had been one of Nita’s favourite haunts.
The path led sometimes through a kind of lane, with a high hedge on
either side, and again through broad, level fields beside the river,
towards Brentwood, with glorious views of hill and wood on every side.
Public-domain text, read in full here on John Shaqi.
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