The Wellfields: A novel. Vol. 3 of 3Fothergill, Jessie
General
The Wellfields: A novel. Vol. 3 of 3
Fothergill, Jessie
English fiction -- 19th century
‘It _would_ make a grand picture,’ she mused, ‘for all who knew the
allusion. _Il grido di dolore_.... When Victor Emmanuel spoke those
words they were prophetic of the release of his people–of their
salvation. There spoke the deliverer. The scene should not be all a
cry of anguish; there should be a tone of hope as well. It would be
best treated allegorically, I believe. I suppose, if I treated it as
I should wish, I should be called narrow and feminine in my idea. No
doubt I should make it personal–turn Italy into a human being–bring
my own experience to bear upon it–what has my language been of late
but a _grido di dolore_; more shame for me, no doubt! I wonder how
_he_ thought of its being represented. I wish I knew. Surely any real
representation of the thing should show not only the lower creature
crying aloud in its agony, but the strong spirit which has heard its
cry and will raise it up.’
Again she looked across towards the hills. The mist had almost all
cleared away. The river was now perceptible, winding in silver links
towards Coblenz; the poplars and the fields, the red-roofed villages
and the peaceful homesteads, all came into view. Upon her spirit,
too, fell a peace which it was long since she had experienced.
She went into the house, and found that the post had come in, and
that breakfast awaited her. There was one letter for her, and that
was from Falkenberg. Throwing off her hat and shawl, she eagerly
opened and read it. It was from Rio–so far had they progressed in
their wanderings–and it gave her a graphic account of their recent
expeditions, of the glowing beauty of the Brazilian scenery, and of the
odd, eccentric habits of his companion.
‘I think you would like him, though. He has real original genius
beneath all his whimsicalities, and some of his sketches are masterly.’
Then he went on to say that their movements were undecided; they did
not know whether to make a further journey or to return to Europe.
He made many inquiries after her health, her pursuits, her happiness,
and begged her to write very soon. ‘You cannot tell with what eagerness
I look for your letters. You will not quarrel with me for saying this,
since I am such a long way off. Sometimes the longing to see your
face is so intense that I feel as if I must start up, and be off then
and there–_auf der stelle_; but do not be dismayed. The aberration,
when it comes, is only temporary. You need not dread my bursting in
upon you suddenly, without preparation; that is, if you will keep me
pacified by some more letters like your last one.’
She finished it breathlessly, and, as if by a sudden, irresistible
impulse, pressed the paper again and again to her lips, with passionate
earnestness.
Public-domain text, read in full here on John Shaqi.
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