Black Hills (S.D. and Wyo.) -- History -- 19th century -- Fiction; Frontier and pioneer life -- United States -- Fiction
The conversation continued for some moments longer, the men standing as
silent spectators. Molly continued very reserved. The newcomer did
not appear to notice it, but chattered on unconcernedly in a
light-hearted fashion, appealing to the other just often enough to
convey the idea that there was nothing noticeably repellent in her
manner. In fact she did it so well that the group gained the
impression that Molly carried her share of the small talk, which was
not true. But in spite of the apparent good-feeling Cheyenne Harry
felt uncomfortably that something was wrong. Searching about for the
cause, he at last discovered it in Molly's attitude.
So on the way to the cabin he was vexed, and showed it. And Molly felt
so strongly the innate justice of her position and appreciated so
keenly the skill with which she had been made to appear sulky and
unreasonable, that when she had finally shut her own door behind her,
she threw herself on her bed and cried as though her heart would break.
Then her blood told. She dried her eyes and in her inmost heart she
declared war against this woman, war to the knife and to the uttermost.
The momentary defeat dashed her at first, then it nerved her. After
all nothing definite had occurred. This creature had planted several
stinging thrusts which had hit home because Molly, in the innocence of
her heart, was not expecting them. She was on her guard now. It would
not happen again. Cheyenne Harry had known the woman before,
evidently, and surely it was natural that in the first surprise of
seeing her so unexpectedly, he should display a certain enthusiasm of
recognition. But his relations with her--Molly Lafond--were too
intimate, too long-continued, to be lightly broken.
As the twilight fell she saw, through the oblong of her sliding window,
that men were hurrying by to dine early, in order that they might
prepare for the festivities of the evening. Across the square she
could make out the dim shape of the new dance hall, a long low
structure trimmed with evergreens and bunting. Frosty was even then
lighting the lamps in the Little Nugget. She sat there motionless,
staring out into the night, fingering the soft white stuff of the gown
lying across her lap, until a certain peace came to her and a
conviction that all would be well.
The night was warm and balmy with the odors of early spring. Molly had
slid back the halves of her narrow window, and over the boxes of
flowers that fringed this little artificial horizon the mellow notes of
the first whitethroat, that nightingale of the north, floated in on the
tepid air. Beyond the nearer silhouette of the flowers another dimmer
silhouette of the hills wavered uncertainly beneath a few uncertain
stars. The girl watched these stars idly, dreaming in tune with the
plaintive notes of the bird. Then silently another bulkier silhouette
interposed itself, almost filling the window.
"What is it?" she cried, starting.
Public-domain text, read in full here on John Shaqi.
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