Black Hills (S.D. and Wyo.) -- History -- 19th century -- Fiction; Frontier and pioneer life -- United States -- Fiction
The interims between drinks are occupied by square dances. The men go
through some set of monkey shines which they call figures, the
principal object of which seems to be at once the tripping up of such
male and the prolonged squeezing of such female dancers as they may
come into intimate personal relations with on their grand rounds, which
is conducive to hilarity of the loud-mouthed variety. The exercise
itself is rather violent, and as the room is low, lit by lamps, and
comparatively windowless, the air soon becomes heavy with the reek of
perspiration and the fumes of tobacco. The floor acquires a heaving
motion and the lights sway back and forth. The homeliest of the
dance-hall girls somehow looks like a fairy through the haze--a rather
elusive fairy, with a rather heavy unfairylike gait. At this period
there is usually a good deal of noise. Then all at once it is morning,
and somehow the scene has changed to the ravine, and there is a tomato
can poking itself into the small of the back.
Molly tripped gracefully and easily through the figures of the opening
dance, seeming scarcely to touch the floor. Bismarck Anne leaned
heavily on each man in the swing, and pressed her bosom against his
arm. Twice she half slipped and caught by the shoulder of her partner
of the moment, and her breath was hot against his throat. She said not
one word the whole dance through.
With the last quaver of the fiddle came the harsh command--
"S'lute yore pardners! All promenade to th' bar!"
They obeyed. The sets went in two by two, the men treating their
masculine partners with humorous politeness in the matter of assistance
in crossing the sill of the door. The non-dancers crowded after them
in a confused mob.
At the bar Frosty had the drinks all ready on the back shelf. Black
Mike assisted him, and together the two, their sleeves rolled back and
their faces glistening with the sweat of honest toil, passed over
brimming little glasses of "forty rod" and jingled two-bit pieces into
the drawer. Bismarck Anne drank with the best of them, leaning
familiarly against the men nearest her, bandying jokes that were more
than doubtful. Molly sat on her corner of the bar but did not drink.
At the beginning of the next dance the aspect of things was a trifle
changed. A bigger crowd gathered about Bismarck Anne soliciting places
in her set, and it was more familiar. Some one snatched a kiss of her.
She merely laughed and pushed him away. There seemed to have suddenly
sprung up between them and her a _camaraderie_ in which Molly had no
part, as though they and the newcomer had some secret to keep to
themselves which thrust the younger girl without the circle.
Public-domain text, read in full here on John Shaqi.
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