Black Hills (S.D. and Wyo.) -- History -- 19th century -- Fiction; Frontier and pioneer life -- United States -- Fiction
After the scouting days were quite over, not long ago, by the way, Jim
Buckley had struck out for Wyoming, where he looked about him and
finally settled in the Crooked Horn district all alone. He was
prospecting. And as he was a great big leisurely sort of fellow, never
in a hurry, and quite unconvinced of the necessity for being so, it
took him a great many years to complete the prospecting to his
satisfaction. In fact it was only recently that he had fully convinced
himself and others of the value of what he had found. At first he had
worked the surface over inch by inch Then he had staked out his more
experimental claims. Then he had burrowed and grubbed and delved,
single-handed, through a network of shafts, tunnels, and drifts. It is
slow work--single-handed. In the morning you make little holes with a
hand drill, and fill them with powder. At noon you blast. In the
afternoon you cart away débris by means of an inadequate little bucket.
This takes time and patience, both of which Jim Buckley possessed.
Once a month he went to town, riding one horse and leading another, for
the purpose of buying supplies. The rest of the time he lived alone.
That is, he lived alone except that directly opposite the window, where
the light always struck it fair, he had carefully fastened a small
colored portrait on ivory. It was the picture of a woman, delicately
tinted, young with laughing blue eyes and a mouth whose corners turned
upward in so droll a manner that you would have sworn its owner had
never known a care in her fresh young life. It was the picture of
another man's wife. She had known care, of the bitterest, blackest
kind, and in her darkest days she had been murdered, mercifully
perhaps. After he had hauled the last little bucket of broken rock up
to the surface of the ground, and had ranged all sorts of utensils in
the open fireplace for the evening meal, Jim Buckley used to light his
pipe and sit looking at this little portrait for a long time. For, you
see, he was simply made, with no complexities--a few simple purposes, a
few simple ideas, a few simple friendships, a few simple passions--but
they were the stronger and deeper and more soul-satisfying for that.
He did not need incident or sorrow or regret to round out his life. It
was well poised and sufficient.
So he used to look upon the face of this other man's wife from under
sombre brows, but through clear eyes. No one could have guessed what
his slow deep thoughts were at such times, nor what he found, whether
of peace or unrest, in his contemplation of a portrait of the past. He
said it made him better. Perhaps it did.
Public-domain text, read in full here on John Shaqi.
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