Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
The mountain air was fresh and keen, and the horses, excited by the
storm, plunged on, recklessly irrespective of mud and water. They
crossed the little valley that lay between the hill of the wine-cellar
and the higher hill of the monastery, clattered through the single
street of the tiny hamlet which huddled itself at the base of the hill,
and wound on upward along the narrow walled roadway that turned and
unturned upon itself like the coils of a serpent. They passed through
the dark grove of cypresses that skirted the outer walls, and emerged
for a moment on a small plateau which gave a wide view of receding
hills and valleys and hills again. Below them, at a precipitous angle,
lay the valley they had just come through and the clustering
brown-tiled roofs of the little Noah’s Ark village.
As they rode out from the shadow of the trees, by a common impulse they
both drew rein and brought their horses to a standstill at the edge of
the grove. Away to the eastward the sky was black, but the western sky
was a blaze of orange light, and the sun, an orange ball, was dropping
into the purple Campagna as into a sea. The shadows were settling in
the valley beneath them, but the hills were tinged with a shimmering
light, and the tower above their heads was glowing in a sombre,
softened beauty.
They had scarcely had time, however, to more than glance at the
wide-spread picture before them when they became aware of a little
human drama that was being enacted under their eyes.
A young monk in the brown cassock of the Franciscans, probably a lay
brother in the monastery, was standing in the vineyard by the roadside,
resting for a moment from his task of tying up the vines that had been
beaten down by the storm. He had not seen the riders—his back was
turned toward them, and his gaze was resting on the field across the
way, where scarlet poppies were growing among the wheat. But his eyes
were not for the flowers, nor yet for the light on the hills
beyond—these he had seen before and understood. He was watching a
dark-haired peasant girl and a man dressed in shepherd’s clothes, who
were strolling side by side along the narrow pathway that led
diagonally through the wheat. The man, strong-limbed and brown and
muscular, in sheepskin trousers and pointed hat, was bending toward
her, talking insistently with vehement Italian gestures. She appeared
to listen, and then she shrugged her shoulders and half drew back,
while her mocking laugh rang out clearly on the still evening air. For
a moment he hesitated, then he boldly put his arm around her, and the
two passed down the hill and out of sight in the direction of the
hamlet. The poor young frate, his work forgotten, with hands idly
hanging at his sides, stared at the spot where they had disappeared.
And as he looked, the monastery bells in the campanile above him slowly
rang out the ‘Ave Maria.’ He started guiltily, and with a hasty sign of
the cross caught up his rosary and bowed his head in prayer.
Public-domain text, read in full here on John Shaqi.
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