Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
VILLA VIVALANTI was astir early in the morning—early, that is, for the
villa. Castel Vivalanti had been at work two hours and more when Pietro
went the rounds of the bedroom doors with his very obsequious, ‘_Buon
giorno_, Excellency; if it suits your convenience, coffee will be
served in the ilex grove in half an hour.’ Coffee in the ilex grove was
a new departure in accordance with Marcia’s inspiration of the night
before. And the ilex grove to-day, as Bianca exclaimed with clasped
hands, reminded one of paradise. The week of rain had left it a study
in green; the deep, rich tone of ilex leaves arching overhead, the blue
green moss on dark tree trunks, the tender tint of young grass
sprouting in the paths, and the yellow flickering sunlight glancing
everywhere. Out on the terrace the peacock was trailing his feathers
over the marble pavement with a conscious air of being in tune with the
day.
Marcia was first to appear. She stepped on to the loggia with a little
exclamation of delight at the beauty of the morning. In a pale summer
gown, her hair burnished by the sun, she herself was not out of touch
with the scene. She crossed the terrace and stood by the balustrade,
looking off through a golden and purple haze to the speck on the
horizon of Rome and St. Peter’s. The peacock called her back, strutting
insistently with wide-spread tail.
‘You ridiculous bird!’ she laughed. ‘I suppose you have been posing
here for two hours, waiting for some one to come and admire,’ and she
hurried off to the grove to make sure that Pietro had carried out her
orders.
The table was spread by the fountain, where the green arched paths
converged and the ilexes grew in an open circle. The sunlight
flickering through on dainty linen and silver and glass and on little
cakes of golden honey—fresh from a farm in the Alban hills—made a
feast which would not have been out of place in a Watteau painting.
Marcia echoed Bianca’s enthusiasm as her eyes fell upon the scene, and
Pietro flew about with an unprecedented ardour, placing rugs and
cushions and wicker chairs.
‘It is perfect,’ she cried, as she retreated down one of the paths to
get a perspective. ‘But there are no flowers,’ she added. ‘That will
never do; we must have some lilies-of-the-valley, Pietro. You fix a
bowl in the centre, while I run and pick them,’ and she started off
toward the garden borders.
Here Paul Dessart found her five minutes later. He greeted her with a
friendly, ‘_Felicissimo giorno_, signorina!’ The transient clouds of
yesterday had disappeared from his brow as well as from the sky, and he
joined gaily in her task.
‘There!’ said Marcia as she rose to her feet and shook back the stray
hair from her eyes. ‘Could anything be more in keeping with a sylvan
breakfast than these?’ She held at arm’s length for him to admire a
great bunch of delicate transparent bells sheathed in glistening green.
‘Come,’ she cried; ‘the artist must arrange them’; and together they
turned toward the fountain.
Public-domain text, read in full here on John Shaqi.
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