Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
Marcia handed it over, trying not to look conscious of the undertone in
his voice. He was very convincing to-day; she was reconsidering her
problem.
In the crowded little piazza before the cathedral they found the rest
of the party. They all mounted the steps and stood in a group, watching
the processions of pilgrims with votive offerings. They came in bands
of fifty and a hundred, bearing banners and chanting litanies. As they
approached the church they broke off their singing to shout ‘Ave
Marias,’ mounting on their knees and kissing the steps as they came.
Marcia, looking down over the tossing mass of scarlet and yellow
kerchiefs, compared it with the great function she had witnessed in St.
Peter’s. These peasants approaching the Madonna’s shrine on their
knees, shouting themselves hoarse, their faces glowing with religious
ardour, were to her mind far the more impressive sight of the two. She
turned into the church, half carried away by the movement and colour
and intensity of the scene. There was something contagious about the
simple energy of their devotion.
The interior was packed with closely kneeling peasants, the air filled
with a blue haze of incense through which the candles on the altar
glowed dimly. The Copley party wedged their way through and stood back
at the shadow of one of the side chapels, watching the scene. Paul
dropped on his knees with the peasants, and, sketch-book in hand, set
himself surreptitiously to copying the head of a girl in front. Marcia
watched him for a few moments with an amused smile; then she glanced
away over the sea of kneeling figures. There was no mechanical devotion
here: it came from the heart, if any ever did. Ah, they were too
believing! she thought suddenly. Their piety carried them too far; it
robbed them of dignity, of individuality, of self-reliance. Almost at
her feet a woman was prostrate on the floor, kissing the stones of the
pavement in a frenzy of devotion. She turned away in a quick revulsion
of feeling such as she had experienced in St. Peter’s. And as she
turned her eyes met Laurence Sybert’s fixed upon her face. He was
standing just behind her, and he bent over and whispered:
‘You’ve seen enough of this. Come, let’s get out,’ and he made a motion
toward the sacristy entrance behind them. They stepped back, and the
crowd closed into their places.
Out in the piazza he squared his shoulders with a little laugh. ‘The
church must make itself over a bit before I shall be ready to be
received into the fold. How about you, Miss Marcia?’
‘It seemed so beautiful, their simple faith; and then suddenly—that
horrible woman—and you realize the ignorance and superstition
underneath. Everything is alike!’ she added. ‘Just as you begin to
think how beautiful it is, you catch a glimpse below the surface. It’s
awful to begin seeing hidden meanings; you can never stop.’
Public-domain text, read in full here on John Shaqi.
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