Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
Marcia found herself growing unexpectedly cordial toward their guest;
even the contessa appeared suddenly dear as she was about to be
snatched away. She bade her an almost affectionate farewell, and stood
by the balustrade waving her handkerchief until the carriage
disappeared.
‘Will marvels never cease?’ she asked her aunt. ‘I think—I really
think that I like the contessa!’
CHAPTER XXI
THE next day—it was just a week before their proposed trip to the
Tyrol—Marcia accompanied her uncle into Rome for the sake of one or
two important errands which might not be intrusted to a man’s uncertain
memory. Mr. Copley found himself unready to return to the villa on the
train they had planned to take, and, somewhat to Marcia’s
consternation, he carried her off to the Embassy for tea. She mounted
the steps with a fast-beating heart. Would Laurence Sybert be there?
She had not so much as seen him since the night of her birthday ball,
and the thought of facing him before a crowd, with no chance to explain
away that awful moment by the fountain, was more than disconcerting.
Her first glance about the room assured her that he was not in it, and
the knowledge carried with it a mingled feeling of relief and
disappointment. The air was filled with an excited buzz of
conversation, the talk being all of riots and rumours of riots. Marcia
drifted from one group to another, and finally found herself sitting on
a window-seat beside a woman whose face was familiar, but whom for the
moment she could not place.
‘You don’t remember me, Miss Copley?’ her companion smiled.
Marcia looked puzzled. ‘I was trying to place you,’ she confessed. ‘I
remember your face.’
‘One day, early this spring, at Mr. Dessart’s studio——’
‘To be sure! The lady who writes!’ she laughed. ‘I never caught your
name.’
‘And the worst gossip in Rome? Ah, well, they slandered me, Miss
Copley. One is naturally interested in the lives of the people one is
interested in—but for the others! They may make their fortunes and
lose them again, and get married, and elope and die, for all the
attention I ever give.’
Marcia smiled at her concise summary of the activities of life, and put
her down as a Frenchwoman.
‘And the villa in the hills?’ she asked. ‘How did it go? And the ghost
of the Wicked Prince? Did Monsieur Benoit paint him?’
‘The ghost was a grievous disappointment. He turned out to be the
butler.’
‘Ah—poor Monsieur Benoit! He has many disappointments. _C’est triste,
n’est-ce pas?_’
‘Many disappointments?’ queried Marcia, quite in the dark.
‘The Miss Roystons, Mr. Dessart’s relatives,’ pursued the lady; ‘they
are friends of yours. I met them at the Melvilles’ a few weeks ago.
They are charming, are they not?’
‘Very,’ said Marcia, wondering slightly at the turn the conversation
had taken.
‘And this poor Monsieur Benoit—he has gone, all alone, to paint
moonlight in Venice. _Ce que c’est que l’amour!_’
Public-domain text, read in full here on John Shaqi.
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