Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
‘There you have the matter in a nutshell. Why did he wish to
assassinate the King? As an expression of his own identity. Through a
perfectly natural egotistical impulse for self-assertion. The man had
been oppressed and trampled on all his life. He was conscious of powers
that were undeveloped, of force that he could not use. He was raging
blindly against the weight that was crushing him down. The weight was
society, but its outward symbol was the King. The King had only one
life to lose, and this despised, obscure Neapolitan peasant, the very
lowest of the King’s subjects, had it in his power to take that life
away. It was the man’s one chance of utterance—his one chance of
becoming an individual, of leaving his mark on the age. And, in acting
as he did, he acted not for himself alone, but for the people; for the
inarticulate thousands who are struggling for some mode of expression,
but are bound by cowardice and ignorance and inertia.’
Sybert paused and raised his eyes to Melville’s with a sort of
challenge.
‘If that man had been able to obtain congenial work—work in which he
could take an interest, could express his own identity; if he could
have become a little prosperous, so that he need not fear for his
family’s support; why, then—the King’s life would not have been in
danger to-day. And as long as there is any man left in this kingdom of
Italy,’ he added, ‘who, in spite of honest endeavour, cannot earn
enough to support his family, just so long is the King’s life in
danger.’
‘And there are thousands of such men,’ put in Copley.
Melville uttered a short laugh. ‘By heavens, it’s true!’ he said. ‘The
position of American consul may not carry much glory, but I don’t know
that I care to trade it with Umberto for his kingdom.’
‘Do you suppose the King was scared?’ inquired Marcia. ‘I wonder what
it feels like to wake up every morning and think that maybe before
night you’ll be assassinated.’
‘He didn’t appear to be scared,’ said her uncle. ‘He shrugged his
shoulders when they caught the man, and remarked that this was one of
the perquisites of his trade.’
‘Really?’ she asked. ‘Good for Umberto!’
‘Oh, he’s no coward,’ said Sybert. ‘He knows the price of crowns these
days.’
‘It’s terrible!’ Mrs. Melville breathed. ‘I am thankful they caught the
assassin at least. Society ought to sleep better to-night for having
him removed.’
‘Ah,’ said Sybert, ‘Society can’t be protected that way. The point is
that he leaves others behind to do his work.’
‘The man was from Naples, you say?’ Mrs. Copley asked suddenly.
Her husband read her thoughts and smiled reassuringly. ‘So far as I
have heard, my dear, there was no crucifix tattooed upon his breast.’
Marcia raised her head quickly. ‘Uncle Howard,’ she asked, ‘is that the
mark of a society or of just that special man?’
‘I can’t say, I’m sure, Marcia,’ he returned with a laugh. ‘I suspect
that it’s an original piece of blasphemy on his part, though it may
belong to a cult.’
Public-domain text, read in full here on John Shaqi.
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