Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
He glanced quickly from one to the other. Marcia, in the salon, was
slamming the shutters down. Mrs. Melville and Mrs. Copley were standing
in the doorway with white faces, too amazed to move. Copley, in the
middle of the hall, with his right arm hanging limp, was dripping blood
on the marble pavement while he loudly called for a pistol; and
Melville was standing on a chair hastily tearing from the wall a
collection of fourteenth-century Florentine arms.
‘Pietro’s got your pistol,’ Sybert said. ‘But I’ve got five shots in
mine, and we’ll do for the sixth man with one of those bludgeons. I
ought to have shot that tattooed fellow when I had the chance—he’s the
leader—but I’ll make up for it yet.’
A storm of blows on the door behind him brought out another laugh.
‘That door is as solid as the side of the house. They can hammer on it
all night without getting in.’
The assailants had evidently arrived at the same conclusion, for the
blows ceased while they consulted. A crash of glass in the salon
followed, and Sybert sprang in there, calling to Melville to guard the
hall window. The shutters held against the first impact of the men’s
bodies, and they drew off for a minute and then redoubled the blows.
They were evidently using the butt of the rifle as a battering-ram, and
the stoutest of hinges could not long withstand such usage. With a
groan one side of the shutter gave way and swung inward on a single
hinge.
‘Put out the lights,’ Sybert called over his shoulder to Marcia, and he
fired a shot through the aperture. The assailants fell back with groans
and curses, but the next moment, raising the cry, ‘_Avanti! Avanti!_’
they came on with a rush, the Camorrist leading with the stolen
revolver in his hand. Sybert took deliberate aim and fired. The man
slowly sank to his knees and fell forward on his face. His comrades
dragged him back.
Marcia, in the darkness behind, shut her eyes and clenched her hands.
It was the first time she had ever seen a person die, and the sight was
sickening. The men withdrew from the window and those waiting inside
heard them consulting in low, angry guttural tones. The next moment
there was a crash of glass at the hall window which opened into the
loggia, and again the rifle as a battering-ram.
‘Ah!’ said Sybert under his breath, and he thrust the revolver into
Marcia’s hand. ‘Quick, take that to Melville and bring me one of those
spiked truncheons. We’ll make ’em think we’ve got a regular arsenal in
here.’
Marcia obeyed without a word, and the next moment shots and cries rang
out in the hall. She had scarcely placed the unwieldy weapon in
Sybert’s hands when another man thrust himself into the salon opening.
They had evidently determined to divide their forces and attack the two
breaches at once. Both Marcia and Sybert recognized the man instantly.
It was Tarquinio, the son of Domenico, the baker of Castel Vivalanti.
‘Tarquinio! You fool! Go back,’ Sybert cried.
Public-domain text, read in full here on John Shaqi.
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