Americans -- Italy -- Fiction; Children of the rich -- Fiction; Love stories
‘How would it be if we declared an amnesty,’ he inquired—‘at least
until Gervasio is fairly started in his career?’
She glanced up in his face a second, surprised, and then shook her head
with an air of scepticism. ‘We can try,’ she smiled, ‘but I am afraid
we were meant to be enemies.’
Her room was flooded with moonlight; she undressed without lighting her
candle, and slipping on a light woollen kimono, sat down on a cushion
beside the open window. She was too excited and restless to sleep. She
leaned her chin on her hand, with her elbow resting on the low
window-sill, and let the cool breeze fan her face.
After a time she heard some one strike a match on the loggia, and her
uncle and Sybert came out to the terrace and paced back and forth,
talking in low tones. She could hear the rise and fall of their voices,
and every now and then the breeze wafted in the smell of their cigars.
She grew wider and wider awake, and followed them with her eyes as they
passed and repassed in their tireless tramp. At the end of the terrace
their voices sank to a low murmur, and then by the loggia they rose
again until she could hear broken sentences. Sybert’s voice sounded
angry, excited, almost fierce, she thought; her uncle’s, low, decisive,
half contemptuous.
Once, as they passed under the window, she heard her uncle say sharply:
‘Don’t be a fool, Sybert. It will make a nasty story if it gets
out—and nothing’s gained.’
She did not hear Sybert’s reply, but she saw his angry gesture as he
flung away the end of his cigar. The men paused by the farther end of
the terrace and stood for several minutes arguing in lowered tones.
Then, to Marcia’s amazement, Sybert leaped the low parapet by the ilex
grove and struck out across the fields, while her uncle came back
across the terrace alone, entered the house, and closed the door. She
sat up straight with a quickly beating heart. What was the matter?
Could they have quarrelled? Was Sybert going to the station? Surely he
would not walk. She leaned out of the window and looked after him, a
black speck in the moonlit wheat-field. No, he was going toward Castel
Vivalanti. Why Castel Vivalanti at this time of the night? Had it
anything to do with Gervasio?—or perhaps Tarquinio, the baker’s son?
She recalled her uncle’s words: ‘Don’t be a fool. It will make a nasty
story if it gets out.’ Perhaps people’s suspicions against him were
true, after all. She thought of his look that night in the train. What
was behind it? And then she thought of the picture of him in the
carriage with the little boy in his arms. A man who was so kind to
children could not be bad at heart. And yet, if he were all that her
uncle had thought him, why did he have so many enemies—and so many
doubtful friends?
Public-domain text, read in full here on John Shaqi.
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