The Wheels of Chance: A Bicycling IdyllWells, H. G. (Herbert George)
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The Wheels of Chance: A Bicycling Idyll
Wells, H. G. (Herbert George)
Cycling -- Fiction; England -- Social conditions -- 19th century -- Fiction
There is a magic quality in moonshine; it touches all that is sweet and
beautiful, and the rest of the night is hidden. It has created the
fairies, whom the sunlight kills, and fairyland rises again in our
hearts at the sight of it, the voices of the filmy route, and their
faint, soul-piercing melodies. By the moonlight every man, dull clod
though he be by day, tastes something of Endymion, takes something of
the youth and strength of Endymion, and sees the dear white goddess
shining at him from his Lady’s eyes. The firm substantial daylight
things become ghostly and elusive, the hills beyond are a sea of
unsubstantial texture, the world a visible spirit, the spiritual within
us rises out of its darkness, loses something of its weight and body,
and swims up towards heaven. This road that was a mere rutted white
dust, hot underfoot, blinding to the eye, is now a soft grey silence,
with the glitter of a crystal grain set starlike in its silver here and
there. Overhead, riding serenely through the spacious blue, is the
mother of the silence, she who has spiritualised the world, alone save
for two attendant steady shining stars. And in silence under her benign
influence, under the benediction of her light, rode our two wanderers
side by side through the transfigured and transfiguring night.
Nowhere was the moon shining quite so brightly as in Mr. Hoopdriver’s
skull. At the turnings of the road he made his decisions with an air of
profound promptitude (and quite haphazard). “The Right,” he would say.
Or again “The Left,” as one who knew. So it was that in the space of an
hour they came abruptly down a little lane, full tilt upon the sea.
Grey beach to the right of them and to the left, and a little white
cottage fast asleep inland of a sleeping fishing-boat. “Hullo!” said
Mr. Hoopdriver, _sotto voce_. They dismounted abruptly. Stunted oaks
and thorns rose out of the haze of moonlight that was tangled in the
hedge on either side.
“You are safe,” said Mr. Hoopdriver, sweeping off his cap with an air
and bowing courtly.
“Where are we?”
“_Safe_.”
“But _where?_”
“Chichester Harbour.” He waved his arm seaward as though it was a goal.
“Do you think they will follow us?”
“We have turned and turned again.”
It seemed to Hoopdriver that he heard her sob. She stood dimly there,
holding her machine, and he, holding his, could go no nearer to her to
see if she sobbed for weeping or for want of breath. “What are we to do
now?” her voice asked.
“Are you tired?” he asked.
“I will do what has to be done.”
The two black figures in the broken light were silent for a space. “Do
you know,” she said, “I am not afraid of you. I am sure you are honest
to me. And I do not even know your name!”
He was taken with a sudden shame of his homely patronymic. “It’s an
ugly name,” he said. “But you are right in trusting me. I would—I would
do anything for you.... This is nothing.”
Public-domain text, read in full here on John Shaqi.
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