The Wheels of Chance: A Bicycling IdyllWells, H. G. (Herbert George)
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The Wheels of Chance: A Bicycling Idyll
Wells, H. G. (Herbert George)
Cycling -- Fiction; England -- Social conditions -- 19th century -- Fiction
And here, thanks to the glorious institution of sleep, comes a break in
the narrative again. These absurd young people are safely tucked away
now, their heads full of glowing nonsense, indeed, but the course of
events at any rate is safe from any fresh developments through their
activities for the next eight hours or more. They are both sleeping
healthily you will perhaps be astonished to hear. Here is the girl—what
girls are coming to nowadays only Mrs. Lynn Linton can tell!—in company
with an absolute stranger, of low extraction and uncertain accent,
unchaperoned and unabashed; indeed, now she fancies she is safe, she
is, if anything, a little proud of her own share in these transactions.
Then this Mr. Hoopdriver of yours, roseate idiot that he is! is in
illegal possession of a stolen bicycle, a stolen young lady, and two
stolen names, established with them in an hotel that is quite beyond
his means, and immensely proud of himself in a somnolent way for these
incomparable follies. There are occasions when a moralising novelist
can merely wring his hands and leave matters to take their course. For
all Hoopdriver knows or cares he may be locked up the very first thing
to-morrow morning for the rape of the cycle. Then in Bognor, let alone
that melancholy vestige, Bechamel (with whom our dealings are, thank
Goodness! over), there is a Coffee Tavern with a steak Mr. Hoopdriver
ordered, done to a cinder long ago, his American-cloth parcel in a
bedroom, and his own proper bicycle, by way of guarantee, carefully
locked up in the hayloft. To-morrow he will be a Mystery, and they will
be looking for his body along the sea front. And so far we have never
given a glance at the desolate home in Surbiton, familiar to you no
doubt through the medium of illustrated interviews, where the unhappy
stepmother—
Public-domain text, read in full here on John Shaqi.
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