The Wheels of Chance: A Bicycling IdyllWells, H. G. (Herbert George)
General
The Wheels of Chance: A Bicycling Idyll
Wells, H. G. (Herbert George)
Cycling -- Fiction; England -- Social conditions -- 19th century -- Fiction
Mrs. Milton, as a successful little authoress and still more successful
widow of thirty-two,—“Thomas Plantagenet is a charming woman,” her
reviewers used to write invariably, even if they spoke ill of
her,—found the steady growth of Jessie into womanhood an unmitigated
nuisance and had been willing enough to keep her in the background. And
Jessie—who had started this intercourse at fourteen with abstract
objections to stepmothers—had been active enough in resenting this.
Increasing rivalry and antagonism had sprung up between them, until
they could engender quite a vivid hatred from a dropped hairpin or the
cutting of a book with a sharpened knife. There is very little
deliberate wickedness in the world. The stupidity of our selfishness
gives much the same results indeed, but in the ethical laboratory it
shows a different nature. And when the disaster came, Mrs. Milton’s
remorse for their gradual loss of sympathy and her share in the losing
of it, was genuine enough.
You may imagine the comfort she got from her friends, and how West
Kensington and Notting Hill and Hampstead, the literary suburbs, those
decent penitentiaries of a once Bohemian calling, hummed with the
business, Her ‘Men’—as a charming literary lady she had, of course, an
organised corps—were immensely excited, and were sympathetic; helpfully
energetic, suggestive, alert, as their ideals of their various
dispositions required them to be. “Any news of Jessie?” was the
pathetic opening of a dozen melancholy but interesting conversations.
To her Men she was not perhaps so damp as she was to her women friends,
but in a quiet way she was even more touching. For three days,
Wednesday that is, Thursday, and Friday, nothing was heard of the
fugitives. It was known that Jessie, wearing a patent costume with
buttonup skirts, and mounted on a diamond frame safety with Dunlops,
and a loofah covered saddle, had ridden forth early in the morning,
taking with her about two pounds seven shillings in money, and a grey
touring case packed, and there, save for a brief note to her
stepmother,—a declaration of independence, it was said, an assertion of
her Ego containing extensive and very annoying quotations from “A Soul
Untrammelled,” and giving no definite intimation of her plans—knowledge
ceased. That note was shown to few, and then only in the strictest
confidence.
But on Friday evening late came a breathless Man Friend, Widgery, a
correspondent of hers, who had heard of her trouble among the first. He
had been touring in Sussex,—his knapsack was still on his back,—and he
testified hurriedly that at a place called Midhurst, in the bar of an
hotel called the Angel, he had heard from a barmaid a vivid account of
a Young Lady in Grey. Descriptions tallied. But who was the man in
brown? “The poor, misguided girl! I must go to her at once,” she said,
choking, and rising with her hand to her heart.
“It’s impossible to-night. There are no more trains. I looked on my
way.”
Public-domain text, read in full here on John Shaqi.
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