The Whip Hand: A Tale of the Pine CountryMerwin, Samuel
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The Whip Hand: A Tale of the Pine Country
Merwin, Samuel
Great Lakes Region (North America) -- Fiction; Love stories; Lumber trade -- Fiction
“Well, I guess that's all there is about it, Margaret. I was a fool, but
I'm not a fool any longer. Here we are, where I saw you. Let's sit down
on this log.” She slipped to the ground and deliberately faced away from
him, looking off at the tumbling slopes of Cross Mountain. But he came
around to the other side. “Now, Margaret, I've told you once, and you
know all I could say without my telling you again. I love you: that's
all. I can't go on any longer this way. I can't live without you--I've
tried it--it's no use--so why can't we understand each other right now,
and stop this playing at cross-purposes, and just be happy! You--you're
all that I want in this world, Margaret--everything--everything.” He
was leaning forward, playing nervously with a thorny twig and eagerly
searching her face. “Tell me, Margaret--tell me if you will come right
now into my life and make it worth something. I've been working day and
night for other people--now I want to work for you. I want to see if
I can't make a home for you--if I can't make you happy. When I've been
working the hardest I've wondered, a good many times, what was the use
of it all--what good it would do me if I should succeed, and make a lot
of money and direct a lot of men. There's a passion for money, and
there's a passion for power--I know a good many men that have one or the
other or both of them--but one thing I've learned this year, Margaret,
is that neither could ever fill my life and make it what I want to make
it. Nothing, nobody but you can do that. Money and power mean worse than
nothing to me unless they are means toward making you happy. That's what
I want to do, Margaret, if you'll only give me the chance. Will you?”
There was a long, long time before she could do more than look off
at the cloud-shadows floating up the opposite mountainside. They sat
motionless; Halloran's hand had dropped from the twig; and the wonderful
silence of the mountains wrapped them about. She wondered why he did not
go on; he waited, breathless. She half turned; he caught her hand and
gripped it with a nervous grasp. Her eyes sought the shadows again,
wavered, were drawn, slowly, in spite of herself, to his face. And then
he had her in his arms.
Oh, the glory of the painted mountains, the joy of the world about them!
A hawk circled overhead, flew whistling off and lost himself in the
forest. The squirrels and chipmunks, peering out from tree and rock,
recalled their own young days and whisked away. The bees alone kept them
company, but bee-workers have no time for love-making. And all those two
knew was that the world was young and the world was many-tinted; that
the sky was blue-and-white above; that all, everything, was theirs
forever, in this world and in the world to come.
“Dear girl,” he murmured, with his lips at her ear, “there is no mistake
this time? This is for always?”
Public-domain text, read in full here on John Shaqi.
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