The Whip Hand: A Tale of the Pine CountryMerwin, Samuel
General
The Whip Hand: A Tale of the Pine Country
Merwin, Samuel
Great Lakes Region (North America) -- Fiction; Love stories; Lumber trade -- Fiction
We have followed them thus far, but now, in telling an odd incident of
this little journey, we take leave. One evening, at supper, some active
bodies at the house busied themselves in getting up an expedition to the
village. There was to be a “show” in the village hall. These things were
said to be great fun, and Margaret and Halloran were in the first wagon
that went down. A band of broken-down actors, the latest coon songs, an
elaborate silver table set to be raffled off--a number being given
with each and every ticket sold to the performance--these were the
attractions. It was hinted that the same silver set would probably
figure again in other years; for the raffle included all the towns along
the railroad, and the winning ticket seemed always to be held in some
other town. But the natives of the mountains were always glad to be
swindled, and silverware was not to be resisted. Small farmers, who
build shingled bay windows and buy cabinet organs before the rear of the
house is boarded up, fall an easy prey to these allurements. So the hall
was crowded, and the party found some difficulty in getting seats.
At length the cracked piano began to jingle.. The janitor lighted the
lamps that served for footlights, and a voice, somewhere behind the
curtain, was heard singing.
The giggling, chatting audience was hushed. The kerosene lamps smoked
and flickered unheeded. A village aristocrat, daughter of the general
storekeeper, with her gum-chewing escort, sat next to Halloran,
rapt with expectancy. The voice swelled out louder and louder, as it
approached the refrain. Margaret, finding the audience more odorous and
less picturesque than she had looked for, turned to suggest an early
departure, and was surprised to see her husband leaning forward, his
hands on the back of the chair in front, his eyes fixed on the stage.
There were signs that the curtain was to be drawn; and as the voice
swung into the refrain, “For Golden-haired Mary, dee-doodle-dee-fairy,
dee-iddle-dee airy, ta-raddle-my-own,” the singer was disclosed, a
long-legged black-face comedian, in a gorgeous, if shabby, cake-walk
costume. Halloran muttered, “Well, I'm blest!”
“What is it, John?” she whispered.
“Don't you know him? It's Apples!”
Sure enough, Le Duc, after a vain chase for the gold that glitters above
the corn-pit on the Board of Trade, had returned to the path that leads
to Shakespeare. The Bard was not quite within hail, to be sure, for
Apples had lost his place in the line and must begin farther back than
ever, but the road was still there. As they watched and listened, a
woman, also in black-face, joined the comedian; and they recognized his
wife.
Public-domain text, read in full here on John Shaqi.
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