England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
His eloquence was at an end. Thenceforward he talked of common things
in unemotional language; and when Alma parted from him, it was with a
sense of being tired and disappointed.
On the following day she did not see him at all. He could not have left
Bregenz, for, of course, he would have let her know. She thought of him
incessantly, reviewing all his talk, turning over this and that
ambiguous phrase, asking herself whether he meant much or little. It
was natural that she should compare and contrast his behaviour with
that of Felix Dymes. If his motive were not the same, why did he seek
her society? And if it were? If at length he spoke out, summing his
hints in the plain offer of all those opportunities she lacked?
A brilliant temptation. To leave the world as Alma Frothingham, and to
return to it as Mrs. Cyrus Redgrave!
But, in that event, what of her musical ambitions? He spoke of her art
as the supreme concern, to which all else must be subordinate. And
surely that was his meaning when he threw scorn upon 'bores and
philistines'. Why should the fact of his wealth interfere with her
progress as an artist? Possibly, on the other hand, he did not intend
that she should follow a professional career. Cannot one be a great
artist without standing on public platforms? Was it his lordly thought
to foster her talents for his own delectation and that of the few
privileged?
Her brain grew confused with interpreting and picturing. But once more
she had made an advance in self-esteem. She could await the next
meeting with a confidence and pride very unlike her sensations in the
Stiglmeyerplatz at Munich.
It took place on the second day. This time Redgrave did not wait upon
accident; he sent a note, begging that he might have the pleasure of
another talk with her. He would call at a certain hour, and take his
chance of finding her at home. When he presented himself, Alma was
sitting in the common room of the _pension_ with two German ladies;
they in a few minutes withdrew, and familiar conversation became
possible. As the windows stood open, and there were chairs upon the
balcony, Redgrave shortly proposed a move in that direction. They sat
together for half an hour.
When Redgrave took his leave, it was without shaking of hands--with no
_Auf Wiedersehen_. He smiled, he murmured civilities; Alma neither
smiled nor spoke. She was pale, and profoundly agitated.
Public-domain text, read in full here on John Shaqi.
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