English fiction -- 20th century; Forgery -- Fiction; London (England) -- Fiction; Mystery and detective stories
“I know you believe him guilty. You have said so,” she said, with
fire. “But I _know_ that he is innocent. And if Lord Clanfield were to
heap up insults upon me, and were to refuse ever to speak to me again,
I would forgive him everything if--if only--he would save my darling
Gerard’s life, and prove his innocence to the world!”
“_Your_ innocence does you credit, Madame,” sneered Mr. Candover as
Audrey rose and walked away.
CHAPTER XIV
It was one of the terrible evenings which Audrey had begun to hate,
pleasant though every one tried to make them to her. The guests were
lively and bright, always complimentary and sympathetic to herself,
and observant of the rules of decorum in her presence, however high
the play might be in the next room. They even broke up earlier now
than they had done at first, and before one o’clock they were all
gone.
Audrey, however, was restless, ill at ease, full of vain longings for
another sight of her husband’s face, and unable to sleep for the
dreams in which she saw again, as she had seen that afternoon, the
pitiful, white, drawn features, the sad, sunken eyes, or else the
transformed, flushed countenance and brilliant, almost feverish eyes
which had looked into hers and told her more plainly than he could
with his lips that he had loved her and longed for her as she had for
him.
She walked up and down her room, in soft-soled slippers that made no
noise, wrapping her dressing-gown tightly round her--for she felt
chilly and the night air was cold--hoping to tire herself out, to be
able to forget her misery and her anxiety for a time in sound sleep.
And as she walked, she fancied that she heard, very faintly and as if
muffled by distance, the sound of an altercation of some sort. She
stopped, went closer to her locked door, and listened. She was sure,
quite sure that she heard men’s voices, angry, excited, violently
vociferous.
She gently turned the key, then the handle, and peeped out.
She was shocked to see that one of the men-servants, the very Barnard
whom she had caught following her that day, was quietly sitting on the
wide ledge, which made a fairly good seat, of the window at the
extreme north end of the corridor.
This corridor ran the whole length of the main building of the house,
with bedrooms on one side, and a row of tall, deep-set windows on the
other. These windows overlooked the courtyard, and the billiard-room,
an annexe to the main building and at right angles with it, which was
kept shut up by the Duchess de Vicenza’s order.
In consequence of the ugliness of the outlook the lower part of all
these windows was filled in with painted glass, and any eyes less
sharp than those of Audrey might have failed to descry the servant in
the corner, leaning back as he was against the darkened panes.
Perhaps even Audrey might have failed to see him if she had not had
her attention attracted by a deep-drawn breath, almost a snore, which
announced that the watcher was asleep.
Public-domain text, read in full here on John Shaqi.
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