English fiction -- 20th century; Forgery -- Fiction; London (England) -- Fiction; Mystery and detective stories
The visitor said nothing for a moment, but stared at her in the same
piercing way. Then she got up, went softly across the room to the
door, opened it quickly, and looked out.
“What are you doing?” said Audrey.
“Eugène uses spies,” replied the visitor briefly, as she walked
slowly round the room, apparently examining the furniture, the very
walls, to see whether there was any possibility of their being
overheard by unseen ears. Having satisfied herself, she came back to
her seat. “And so,” she said bluntly, “this is a gambling-house, and
you are the decoy?”
“How dare you call me that?” panted Audrey, more angry than she could
express.
But the woman went steadily on: “You, with your pretty face and
figure, your well-bred air and your handsome dresses, are the nominal
head of this house, I suppose?”
“What do you mean?”
“Oh, don’t be offended. Why should you be, when what I say is true?
Listen. I was his wife, you know. He was a rich man when I married
him, and I brought him money myself. All went well while the money
lasted, and we could live well and ostentatiously, keep horses and
carriages--there were no motor-cars in those days--and a yacht and
every luxury. Then the money ran short--the times changed,
difficulties grew. Things grew worse and worse and presently they
began to mend again, mend mysteriously. It was some time before I knew
that there was anything wrong about the new prosperity, but when the
knowledge did come, when I understood that I was expected to share in
the vile work--to help in ugly schemes--cheating at
cards--forgery--fraud--he was clever at them all--I stood firm, I
refused.”
She paused, and the remembrance of the far-away time she referred to
seemed to increase the intense melancholy of her worn face, to render
her deep voice more hollow. When she went on speaking, there came
again over her face that wild look which had made the servants at Miss
Willett’s, and Audrey herself, take her for a madwoman.
“When he found he could do nothing with me, he changed his plans.
Since I would not help him, I must go. By every cruel device, every
wicked stratagem he tried to drive me out of my mind; he sent my two
children away from me, he worked upon my nerves until I became
hysterical, used threats which nobody would believe, threats of
abandoning my little children, of murdering me.”
“Why didn’t you tell some one?” said Audrey.
“Because nobody would have believed me. He was gentle, handsome, with
a caressing voice and charming manner. I was hysterical, irritable,
proud, perhaps overbearing and too unhappy to be liked. Everybody took
his part, and said how hard it was for genial, charming Eugène
Reynolds to be tied to such an unamiable wife.”
“Why didn’t you run away from him?”
Public-domain text, read in full here on John Shaqi.
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