Because she had been all her life an obedient child, she paused with one
hand on the railing and leaned down. There was a distinct note of
exasperation in her voice as she asked: “What is it, Mama?”
Mrs. Spellman found herself equally unable to ask the question she
wanted to ask, and to the same degree unable not to ask it. She wavered.
Mahala could see the workings of her brain as plainly as she could see
her lips. Taking the bull by the horns was an old habit of hers. She
took hold now courageously as ever.
“If you’re bothering your head about those flowers,” she said very
distinctly, “I’d advise you not to. It’s wearing. They are very lovely.
Whoever sent them had only the kindest intentions. Jemima told you that
she didn’t find anything to show where they had come from. What’s the
use to speculate when all of us are worn out?”
Mahala went to her room, closed the door, and standing before the
mirror, surveyed her reflection from head to heels. She was not looking
quite so fresh as she had the last time she had looked in that mirror,
but she decided, that after delivering a valedictory and dancing for
hours, she was still extremely presentable. She slipped from her dress
and returned it to the form in the guest room from which it had been
taken to serve its great purpose. As she shook out the skirts she said
to it laughingly: “Let me tell you, you very nice dress, Edith gave me
the hardest run to-night she ever did. But I still think that you’re the
prettiest dress and the most appropriate that was worn at Commencement
to-night.”
She leaned forward and for an instant buried her face in the laces on
the breast of the dress covering the wire form. Going back to her room,
she put out the light. As speedily as possible, she slipped into her
nightrobe and then she went to the window where for four years the
little gold bird had sung to her daily from its shining house of brass,
and standing beside it in the moonlight, she smoothed out the twist of
paper and upon it she read three words. She stood a long time in the
moonlight looking across the roofs of neighbouring houses and down the
moon-whitened street; then she turned and walked back to her dressing
table. Among the bottles and brushes on top of it there lay a white
rosebud. She looked at it a few minutes; finally she picked it up,
twisted the wisp of paper around the stem of it, and went to her closet.
From a top shelf she took down a beautiful lacquered box that
represented one of the handsomest of her father’s gifts from the city.
It was shining in black and gold while across it flew white storks with
touches of red above a silver lake bordered by gold reeds.
She lifted the lining of her workbasket and from beneath it she took out
a tiny gold key. With this she unlocked the box and laid the white rose
and the three words inside it, relocked and replaced the box, and
returned the key to its hiding place beneath the lining of her
workbasket.
Public-domain text, read in full here on John Shaqi.
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