She walked around the house and found at the back a neglected old
orchard of apple and other fruit trees and a stable slowly inclining
southward with the burden of years and its own dejection. On a trip
around the outside of the house, she found a wild sweet briar clambering
up and covering one whole end, and looking closer she could see the
siding boards that had outlined the dimensions of three-foot flower beds
surrounding the building. Peering among the dry leaves and weeds, she
saw that earlier in the season tulips, hyacinths, and star flowers had
bloomed there. There were seed pods ripening on the spindling peonies
and purple and white phlox were in bloom.
Instinctively, Mahala dropped to her knees and began to pull the weeds
from among the flowers. Suddenly she sat back on her heels and looking
up at the old building she smiled to it. Then she said to it: “So you
were once a home. Some one loved living in you. Some one grew a wreath
of flowers around you to make you pretty. Never you mind, you’re my home
now and as soon as I earn some money I’ll come here to live—that’s a
promise—and I’ll make you blooming and beautiful again.”
When Mahala heard her own voice saying these words, she realized the
pull on her heart of possession. This was a wretchedly poor thing, but
it was her own, her all. Every weed seemed to point an accusing finger
at her. The old apple trees reached pitiful arms, begging to be denuded
of suckers, to have their feet freed of encumbering growth, for their
soil to be fertilized. The old house needed a new roof, floors, and
plaster. The greater its needs, the stronger the appeal it made to
Mahala in the day of her own need. Here was something to fight for. Here
was something tangible to love and to live for, for after all, soil is
soil, and forty acres of it is not to be discarded because of neglect,
when it lies in a fertile valley near a river.
Finally Mahala arose. She returned to the back of the house and managed
to raise some water at the old pump. She washed her hands, and then
going back to the front, she sat down on the stoop, lightly screened by
sun-flecked shadows, and spread beside her the lunch Jemima had
prepared. She sat and ate her food very slowly, because her ears were
busy with the birds, her eyes were on the sky, among the bushes
outlining the indolent old fence sliding down of sheer inanition. She
noticed a distant figure trudging down the road, a figure that moved
toward her with a tired step actuated by unwavering purpose, a figure
that one could recognize as far as it could be seen as the plodding form
of a human following a hard road under the lash of duty. Mahala’s
perceptions were quickened in this case by the fact that the oncoming
figure was accentuated by a shimmering gleam of snowy white bobbing in
the rear. She looked intently, and then slowly one hand reached out
beside her and began dividing in halves the lunch that she had brought.
Public-domain text, read in full here on John Shaqi.
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