The outskirts of the town of Ashwater showed that it had been shaken
from centre to circumference. Women were running bareheaded across the
streets. Men were hastening here and there, and it could be seen that
their hands were shaking, that their faces were set, that the
expressions upon them more clearly resembled ravenous animals than men.
They were calling out to each other, they were breathing threats, they
were uttering awful curses. Man was telling man what the hands of the
Morelands had done to him. Here was a man whose land had gone
delinquent, and before he was able to redeem it, Martin Moreland had
taken it from him for a third of its value. Here was a seamstress who
had not been able to pay the street taxes in front of her little home,
and because she had borrowed from Martin Moreland she had lost her
shelter.
Even from the country there were beginning to come teams driven by men
whose faces were pictures of outrage. Conspicuous on the village streets
was the form of Jimmy Price. He was rushing around with a sickle in one
hand, telling every one who would listen what every one else had said.
For once in his life he had forgotten to try to make himself ridiculous.
In his excitement he became a pathetic thing. He who never had anything
to lose was blustering, threatening, and wildly gesticulating over the
wrongs of others. Men who had lost heavily, many of them the savings of
a lifetime, were in a different mood. They were gathered in grim
consultation. They were passing from house to house, in harsh tones they
were making sure of their grievances: “Just what was the sum he skinned
you out of, Robert?” “Did you say, John, your wife needn’t have died if
you hadn’t been forced to move her in mid winter when she’d just had the
baby?”
They were remembering, they were recalling, they were computing, they
were sowing the germs of a mob spirit right and left, but their work was
certain and methodical. Unmolested, the boys of Ashwater had been busy.
As the carriage came down the street, Mahala could see great streaks of
yellow paint smeared across the front of the bank. The bronze dogs, so
proudly referred to by Martin Moreland as the “watch dogs of the
Treasury,” had been crudely muzzled with heavy wire, the yellow paint
had been liberally used on them. Some one had broken off their tails and
stuck them between their legs; the rough stumps were festooned with tin
tomato and peach cans.
When the carriage stopped in front of the bank, the party could only
force their way a step at a time to the door. At sight of Mahala
pandemonium broke loose. Here was the most tangible thing upon which
they could lay their hands. On her they might give their imaginations
free rein, with justice. Nothing could be done that could ever, in any
degree, atone for the misery through which she had passed.
Public-domain text, read in full here on John Shaqi.
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