Bildungsromans; Midlands (England) -- Fiction; Young men -- Fiction
Again a loud cry from the hill-top. The woman has followed thus far,
the big, shapeless woman, and she cries with loud cries after the white
coffin as it descends the hill, and the children that cling to her
skirts weep aloud, and are not to be hushed by the other woman, who
bends over them, but does not form one of the group. How the crying
frightens the birds, and the rabbits; and the lambs away there run to
their mothers. But the peewits are not frightened, they add their notes
to the sorrow; they circle after the white, retreating coffin, they
circle round the woman; it is they who forever “keen” the sorrows of
this world. They are like priests in their robes, more black than
white, more grief than hope, driving endlessly round and round,
turning, lifting, falling and crying always in mournful desolation,
repeating their last syllables like the broken accents of despair.
The bearers have at last sunk between the high banks, and turned out of
sight. The big woman cannot see them, and yet she stands to look. She
must go home, there is nothing left.
They have rested the coffin on the gate posts, and the bearers are
wiping the sweat from their faces. They put their hands to their
shoulders on the place where the weight has pressed.
The other six are placing the pads on their shoulders, when a girl
comes up with a jug and a blue pot. The squire drinks first, and fills
for the rest. Meanwhile the girl stands back under the hedge, away from
the coffin which smells of new elm-wood. In imagination she pictures
the man shut up there in close darkness, while the sunlight flows all
outside, and she catches her breast with terror. She must turn and
rustle among the leaves of the violets for the flowers she does not
see. Then, trembling, she comes to herself, and plucks a few flowers
and breathes them hungrily into her soul, for comfort. The men put down
the pots beside her, with thanks, and the squire gives the word. The
bearers lift up the burden again, and the elm-boughs rattle along the
hollow white wood, and the pitiful red clusters of elm-flowers sweep
along it as if they whispered in sympathy—“We are so sorry, so
sorry——”; always the compassionate buds in their fulness of life bend
down to comfort the dark man shut up there. “Perhaps,” the girl thinks,
“he hears them, and goes softly to sleep.” She shakes the tears out of
her eyes on to the ground, and, taking up her pots, goes slowly down,
over the brooks.
Public-domain text, read in full here on John Shaqi.
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