Bildungsromans; Midlands (England) -- Fiction; Young men -- Fiction
She brought us glasses of whisky, and moved about supplying the men,
who chaffed with her honestly and good-naturedly. Then she went out,
but we remained in our corner. The men talked on the most peculiar
subjects: there was a bitter discussion as to whether London is or is
not a seaport—the matter was thrashed out with heat; then an embryo
artist set the room ablaze by declaring there were only three colours,
red, yellow, and blue, and the rest were not colours, they were
mixtures: this amounted almost to atheism and one man asked the artist
to dare to declare that his brown breeches were not a colour, which the
artist did, and almost had to fight for it; next they came to strength,
and George won a bet of five shillings, by lifting a piano; then they
settled down, and talked sex, sotto voce, one man giving startling
accounts of Japanese and Chinese prostitutes in Liverpool. After this
the talk split up: a farmer began to counsel George how to manage the
farm attached to the Inn, another bargained with him about horses, and
argued about cattle, a tailor advised him thickly to speculate, and
unfolded a fine secret by which a man might make money, if he had the
go to do it—so on, till eleven o’clock. Then Bill came and called
“time!” and the place was empty, and the room shivered as a little
fresh air came in between the foul tobacco smoke, and the smell of
drink, and foul breath.
We were both affected by the whisky we had drunk. I was ashamed to find
that when I put out my hand to take my glass, or to strike a match, I
missed my mark, and fumbled; my hands seemed hardly to belong to me,
and my feet were not much more sure. Yet I was acutely conscious of
every change in myself and in him; it seemed as if I could make my body
drunk, but could never intoxicate my mind, which roused itself and kept
the sharpest guard. George was frankly half drunk: his eyelids sloped
over his eyes and his speech was thick; when he put out his hand he
knocked over his glass, and the stuff was spilled all over the table;
he only laughed. I, too, felt a great prompting to giggle on every
occasion, and I marvelled at myself.
Meg came into the room when all the men had gone.
“Come on, my duck,” he said, waving his arm with the generous flourish
of a tipsy man. “Come an’ sit ’ere.”
“Shan’t you come in th’ kitchen?” she asked, looking round on the
tables where pots and glasses stood in little pools of liquor, and
where spent matches and tobacco-ash littered the white wood.
“No—what for?—come an’ sit ’ere!”—he was reluctant to get on his feet;
I knew it and laughed inwardly; I also laughed to hear his thick
speech, and his words which seemed to slur against his cheeks.
She went and sat by him, having moved the little table with its spilled
liquor.
“They’ve been tellin’ me how to get rich,” he said, nodding his head
and laughing, showing his teeth, “An’ I’m goin’ ter show ’em. You see,
Meg, you see—I’m goin’ ter show ’em I can be as good as them, you see.”
Public-domain text, read in full here on John Shaqi.
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